.avif)
Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Sault Ste. Marie, Michigan? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
.avif)
Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
.avif)
Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
.avif)
Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
.avif)
Carl
Singing student
Two figures are on the table in this city and they measure unrelated things. The Soo Theatre asks $25.00 to register, once per family per year, and states that the sum is not applied to tuition; the Dial-A-Ride asks $4.00 for a general-public fare and $2.00 from riders aged 60 and over. At SIRIUS paid teaching starts at $29, with the opening hour free of charge, and your coach measures the opening piece against what your voice really does with it. The registration figure is the one that buys no teaching at all.
The Soo Theatre's registration form declines to name a time at all, saying instead that "we will contact you to discuss lesson day and time for your student." The form settles nothing; it opens a conversation. You work the back of your own tongue under instruction, and asking whether you can sing becomes asking what it is doing. The same conversation settles the timing as well.
The Soo Theatre sets its teaching year to coincide with the public-school calendar, so the frame around the lessons is borrowed from an institution that does sort people by the year they were born. Inside that frame nothing is sorted that way at all. SIRIUS carries the note on where a voice currently stands, and a birthday changes nothing written in it. The calendar comes from a school; what happens inside it does not.
The Soo Theatre's year comes to thirty weeks, arranged around four payment dates, with May 10-14, 2027 set aside as a make-up week for lessons the instructor missed. Those three numbers describe a school year and say nothing about a voice. Across a stretch like that, SIRIUS says which piece is ready and which is not yet: tone in a room settles early, stamina comes along behind it, and phrasing has no ceiling on it at all. One week of the thirty exists to repair the others.
First United Presbyterian Church asks anybody wanting a ride to worship to call the church office by noon on Thursday. Three days of notice buys a seat in somebody's car, and the arrangement has to be made before the weekend arrives. The SIRIUS lesson fits itself to the hour you actually have, and a connection asks for no notice at all. A car needs the Thursday; a screen needs nothing but the hour.
Do you have any experience?
The Soo Theatre Project owns its building at 534 Ashmun St, and it writes down why the two halves of that building keep different calendars: "Our season runs from April through early December due to limited heating and insulation in the auditorium. Our education program runs all year, but it also has limitations because of lack of space." One address, two schedules. The auditorium answers to temperature and shuts for the winter; the teaching rooms, four former storefronts along the street fitted out in 2005, answer to floor area and carry on. In both cases the house names the reason, and the reason is a property of the walls.
A building that states why it closes is a rare thing, and this one gives two reasons where one would do: the hall stops for want of warmth, and the teaching goes on all year against a limit of another kind, "lack of space". Singing lessons meet the second of those, because a voice needs room more than it needs heat. You set your own recording against that arrangement, since an hour taken over a connection runs into neither wall. Even the year-round half of that building comes up against something.
If a program runs all year, whatever limits it has to be something that does not vary with the season, and here it is square footage: four former storefronts converted in 2005, with a plan on file to expand into the second level. Room is the thing being rationed, so how many people can be taught at one time is a fact about a floor plan. SIRIUS hears the phrase you are working on without any of that arithmetic, because the room that matters is the one you are already in. Floor area settles how many fit in a building.
The work comes down to a tone that reaches the back wall without being forced, a handover between the registers that arrives without a seam and settles slowest of the four because it has to be drilled into the body before it can be understood, a supply of air that outlasts the line it began, and a shape across the words that turns them into a sentence. Working through those four, SIRIUS moves the number of your lessons to match whichever one is holding up the rest. The tone across the room is where the list starts again.
In that auditorium on Ashmun Street the calendar is set by insulation, and every date in the season sits downstream of it. The SIRIUS lesson carries its own terms along with it: a coach suited to whatever you arrived wanting to sing, a plan put in writing ahead of any charge, an opening hour with no charge on it. A room with no season attached needs no calendar of its own.
From April to early December that auditorium is a working hall, and the Arts Center at Lake Superior State University seats 674 for the concerts it announces. In either room the evening leaves no trace once it ends. Your SIRIUS coach points to the spot where the tone comes off the breath, and the audio holds that spot for you, so a correction outlives the day it was made on. The hall itself goes dark in December.
The Soo Theatre Project bought its building in March 2003 and started an education department in 2005, which teaches private voice among other subjects; Karen Hughes Beacom and Tabi Scheffler-Gonzalez are listed as its vocal instructors, and the organization also fields a Youth Orchestra, a New Horizons Adult String Orchestra, the Northern Accent Chamber Orchestra and Soo Opera. At Lake Superior State University, all the ensembles run under Casey Snyder as Director of Music: the Concert Choir rehearses Wednesday nights from 7-9 p.m. and performs both liturgical and secular music, the Symphonic Band takes Monday 7-9 p.m., and the Chamber Orchestra meets Wednesday and Thursday from 6-7 p.m. The university has announced three concerts for October 31, November 21 and November 22, 2026, all with free admission. First United Presbyterian Church at 555 Bingham Ave lists choir practice for Wednesday, September 16, 2026 at 5:30PM under Kay Boyne, Music Director and Organist, with Sunday worship at 10:00 a.m.
The Soo Theatre offers three lesson lengths, 30 min, 40 min and 55 min, and offers the same three for whatever subject it teaches and whoever registers. A length settles how much time a voice gets and says nothing whatever about whose voice it is. You listen to the hour again at whatever time of day it was given, and the time of day decides nothing about what is in it. Those three numbers stand the same at any age.
The city's Dial-A-Ride runs Spur 1 and Loop 2 from 8am to 4pm, Monday through Friday, with an hour of lunch inside that window, while the curb-to-curb service on call runs 6:30am to 6pm straight through and dispatch asks for at least one business day's notice. Eight hours with a hole in the middle, then, or eleven and a half without one. SIRIUS bends the terms to the evenings you can hold, and no window in anybody else's day limits which those are. That lunch hour is a gap in a schedule somebody else drew.
The registration money at the Soo Theatre does something narrow and says so: it is not applied to tuition, and it saves your preferred lesson day and time with your instructor. The payment buys a position in a schedule. Ahead of the first lesson, SIRIUS hands you the state of your own jaw and breath, and you bring along a piece you can already sing. The money holds a slot and it holds nothing else.
April through early December is eight months of season; the education program runs twelve. The gap between those two comes down to what the walls of one room will hold in January. The SIRIUS lesson says the same thing in February that it says in July, and the note it leaves behind reads the same either way. Twelve months is the whole of it.
.avif)
.avif)
