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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Battle Creek? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
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Do you have any experience?
Many music students worldwide already trust SIRIUS.
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Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
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“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Singing student
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Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
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Carl
Singing student
Expect a private teacher around Calhoun County to charge somewhere from $50 to $90 an hour. What changes the calculation is that the first SIRIUS lesson is free, so the coaching gets assessed before the invoice does.
Yes, and this city has arranged itself around the assumption. The Music Center runs children's choirs and a youth gospel choir at no charge, and an adult community chorus that does not audition anybody. Those organizations exist because voices improve when somebody teaches them. Talent decides the starting line and nothing else.
Seven is a reasonable place to start for most children. Adolescence brings a physical change to the instrument, and it wants continuity rather than a pause, with somebody experienced watching for strain. Adults begin at any age at all, often with a ninth-grade choir as their most recent credential.
Give it a couple of months and a recording of you will sound different. Give it a year and a room full of people will hear the difference. What follows is refinement, which arrives slowly and is the reason anybody keeps going.
They do. A lesson is a diagnosis made by ear and then a model you can imitate, and neither of those depends on sharing a room. What they depend on is a clean signal and somebody who knows what to listen for. The Michigan winter supplies the rest of the argument on its own.
Do you have any experience?
Battle Creek sits at the confluence of the Kalamazoo and Battle Creek rivers in Calhoun County, twenty-seven miles east of Kalamazoo and about halfway along I-94 between Detroit and Chicago. Everyone knows it as Cereal City, and the reason is real enough: W.K. Kellogg started his corn flake company here in 1906, C.W. Post arrived as a patient at the sanitarium and left as a competitor, and the W.K. Kellogg Foundation, set up in 1930, is still headquartered in town. The corporate picture has changed a good deal recently - both cereal businesses changed hands in 2025 - but the city of roughly fifty-two thousand keeps its name.
Because the infrastructure for a young voice here is better than the city's size would predict, and much of it costs nothing. The Music Center of South Central Michigan runs a Boychoir and a Girls Chorus, both free, both open from age five to eighteen. It also runs the Sojourner Truth Youth Gospel Choir, which grew out of the city-wide celebrations for the two-hundredth anniversary of her birth in 1997 and has been free since. The Battle Creek Community Chorus takes adults without auditions. And underneath all of it the Battle Creek Symphony Orchestra played its first concert in February 1899 and describes itself as the oldest continuously operating orchestra in Michigan.
Those choirs are a superb place to start and a limited place to develop, for the ordinary reason that a director in front of forty singers cannot hear one throat clearly enough to fix it. What breaks the ceiling is a teacher with only you to listen to, working out where the sound is being carried, where it has quietly been given up on, and which of your habits deserve protecting rather than fixing.
Air comes first, and every layer above it inherits whatever the air is doing. Then pitch that stays honest with an audience in front of you, a range that joins up instead of arriving in steps, and endurance enough to reach the end of a set intact. Dynamics, phrasing and stagecraft come last and do the most work on a listener.
Your teacher is selected deliberately, against your repertoire and your goal, by somebody who read both. The introduction is on us. You set the hours and you move them. A first-timer and a paid singer take different things out of the same hour, and both take something.
Teaching a voice means hearing it exactly, so the audio path is where this platform spends its effort and the picture takes second place. A soft entry, a sound losing weight as it climbs - those arrive undistorted and get corrected inside the phrase. Whatever gets recorded and whatever gets assigned both stay in your workspace afterwards.
The W.K. Kellogg Auditorium, designed by Albert Kahn and built in the mid-1930s, is where the symphony has played since 1941 and where the Brass Band of Battle Creek fills the house twice a year. The Field of Flight air show and balloon festival takes over the airport around the Fourth of July and brings a rock stage with it. And the city has sent out singers of genuine reach: Betty Hutton was born here and was a band vocalist before she was a film star; Gloria Gaither was born here and wrote several hundred gospel songs including Because He Lives; the country singer Frankie Ballard grew up here and says downtown smelled like cornflakes. Sojourner Truth spent the last quarter-century of her life in and around this town and is buried at Oak Hill. She used singing as an instrument of persuasion, setting her own words to tunes people already knew - which is as good a description of the craft as any.
Students come from Lakeview and Urbandale, from Springfield and Pennfield and the streets off Michigan Avenue - children, teenagers, singers from the Sunday choirs, and adults circling back to something they abandoned at school.
Plant shifts, a school calendar in constant motion and a genuine Michigan winter between them make a weekly slot clear across the city hard to defend. A lesson that begins at your own table carries none of that risk.
Take the free hour. Ten minutes into it, somebody trained to listen will have pointed at something in your voice you had never noticed.
A city that gives its children free choirs should be training its adults too. Yours can start at home, where the two rivers meet.
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