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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
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Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Marquette, Michigan? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
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Carl
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<p>Billed hours open at $29, and they move from there with the length you choose and the rhythm you keep. We do not bill that opening hour. Missing from that list: where you live, how old you are, whether you hold a card. Locally those things do change a price. The city's own studios charge five dollars more an hour to somebody living outside the city limits, a defensible way to run a public building. None of that prices an hour of teaching.</p>
<p>The auditions published around here test something else. St. Peter Cathedral auditions for its Cathedral Choir and sets a minimum age of at least 15 years old, and auditions its Youth Schola in grades 2 to 8; the symphony's competition asks for a video. Neither is asking whether you can sing at all. They sort people into groups. Meanwhile that three-word verdict almost always names one repairable thing, air spent too early or a pitch you have not yet learned to match, and the threshold you set for yourself is the one that has actually been stopping you.</p>
<p>One address in Marquette publishes four age limits: 5 to 8, 7 to 11, 12 and up, infant to 3. A second publishes 15 as a minimum, with grades 5 to 8 admitted as an exception. The numbers exist so each group can hold people of roughly one size. Lessons are built out of one person, so they do not apply. Children can start while singing is still a game. A voice partway through its own rebuild is better off with somebody watching that happen. And the fifth entry runs to adult and then simply ends.</p>
<p>Breath moves first, usually inside a handful of weeks, because it is mechanical and responds to being told what to do. Tuning follows once you stop bracing for the note. Tone comes after that, since it depends on the first two being reliable. Stamina is a longer job, closer to a term than to a month. Phrasing comes last and does not stop: people who have sung for decades are still finding things in it, and that stretch of the work runs without a clock.</p>
<p>A connection carries the sound and the timing. A room adds reflections, other people and a journey. For learning to sing the first list is the one that counts: you sing a phrase, you are told exactly which part went wrong, you repeat it with one instruction changed out, and both attempts are recorded. Marquette Voice offers in-person instruction only and drives over from Escanaba on Wednesdays, a fair choice and a real constraint on a Wednesday. A room adds what it adds on its own terms.</p>
Do you have any experience?
The Arts and Culture Center in the basement of the Peter White Public Library rents a studio at $20 an hour to somebody with a City of Marquette address and $25 an hour to somebody without one. Marq-Tran charges $.80 and halves it to $.40 against a valid student or ADA card. The Regional History Center sets four admission prices by age and status, from $10.00 down to $3.00. St. Peter Cathedral sets a floor of 15 years on its Cathedral Choir. In each case the thing being checked is something you show instead of something you earned. Singing does not enter into it.
The Marquette Choral Society rehearses Mondays from 7:00 p.m. to 9:00 p.m. in Room 250 of the Thomas Fine Arts Building at Northern Michigan University, under Dr. Erin Colwitz, with no formal audition required. Registration for the fall happened in the hour before the first two rehearsals, 6:00 p.m. to 7:00 p.m. on August 24 and August 31. The fee is $70, covering music and concert costs, with scholarships available on request. The NMU music department lists ten ensembles and opens them to students from any major. Joining is easy here; being heard on your own is a separate matter.
No formal audition required is a condition that applies at the moment of joining and stops applying the moment after. Inside Room 250 on a Monday evening, in a choir under one director, nobody is assessing your voice separately, because nobody is in a position to. Choirs are built that way and it is no flaw in them. The condition that matters for your own instrument is a different one altogether: one person attending to you alone, deliberately, for an hour. No card, no address, no year of birth.
A register boundary is not the place where the voice stops working. It is a handover, the point at which one set of muscles passes the note to another, audible mainly because it is clumsy before it has been practiced. It is the slow part, and it answers over months. Around it sit the quicker ones: tuning that stays put while you are being listened to, tone with enough behind it to fill Kaufman Auditorium without shouting, and breath that arrives before the phrase does.
A city address is a fair basis for a room rate, and an age band is a fair basis for a choir. Both are checkable, both are quick, and neither reveals how your voice behaves when a line climbs. SIRIUS checks none of them. Every hour here produces a written line about what moved and what follows, which is all anybody writes down about you. The trial hour attracts no fee. Nothing about you is verified except what you sing.
Twenty dollars an hour for one of the city's studios, twenty-five if your address sits outside the city limits. Rooms come with arithmetic, and it is a genuine cost even when the room is a good one. Online teaching carries no room charge at either rate, and it beats a room in one respect: the hour is kept as a file, so a phrase you finally got right on a Monday can be heard again on a Thursday, together with whatever drills came out of it. Twenty dollars, twenty-five dollars, or neither.
The Marquette Symphony Orchestra opened its 2026-27 season with an outdoor concert on July 9 at the Peg Hirvonen Bandshell, no admission charge, and plays indoors at Kaufman Auditorium on North Front Street, 807 seats including 12 wheelchair spaces. Its singing competition is open to any Marquette County resident and asks for a short video audition in any genre; up to five finalists sing live in January, and the grand prize winner is decided by audience vote. The Choral Society's winter concert runs Saturday, December 5, 2026 at 7:30 p.m. and Sunday, December 6 at 3:00 p.m. in Reynolds Recital Hall.
Wild Bird Voice Studio on West Washington Street divides its whole program by year of birth: a beginner choir for ages 5 to 8, an ensemble for 7 to 11, a Musical Theatre Scenes class for 12 and up, early childhood classes from infant to 3. Then comes a fifth entry, private voice lessons for ages 10 years to adult, which belongs to no band of years at all. Group formats have to draw lines somewhere in order to exist at all. One singer and one listener need none, and that last line has nothing written after the word adult.
Marq-Tran runs a peak hour fixed route service, and the name is exact: buses in the morning, then offline from 11:00 a.m. until 1:00 p.m. Monday to Friday, then buses again. Dispatch is staffed from 12:30 p.m. to 6:00 p.m. on weekdays, half of that inside the gap. The Peter White Public Library opens 9:30 a.m. to 8:30 p.m. Mondays to Thursdays and closes on Sunday. Neither shape has to be yours. The middle of the afternoon, which the buses give back, does fine.
Booking a first lesson requires you to show precisely one thing: nothing. No city address, no age band, no valid card, no video sent in ahead. Nothing has to be produced in advance of it at all. The rest is ordinary: one song, one hour, and at the close a straightforward report on the voice and the first thing worth changing. Nothing gets shown.
A studio on the third floor of a jewelers' building on West Washington Street prints its rate on a public page; a teacher who drives over from Escanaba on Wednesdays writes inquire for up-to-date pricing instead. The city draws a version of the same line through the rates on its own studios. All reasonable ways to run a business or a building. None of them touches the question of whether your voice does what you want on a high, quiet note, and that one is settled by an hour and a listener, wherever either of you happens to live.
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