.avif)
Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Rolla, Missouri? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
.avif)
Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
.avif)
Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
.avif)
Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
.avif)
Carl
Singing student
The objection is fair: a rate without a figure is no rate. So here is ours. Singing lessons open at $29. Your first one is on us. Compare how a card works at the Rolla Public Library, where living inside the city limits qualifies you and living outside puts a household charge in front of you, renewable each year either way. Ours renews itself the moment you book. Two things shift the figure: the length of the appointment and its frequency. Who is asking does not. The lesson that keeps its own four walls keeps its own figure too.
The Rolla Choral Arts Society settles half of this in its own listing: the Men of Song require no audition from male singers with changed voices aged 14 and up. The worry itself arrives in two halves. Reading is the first, and it is a taught skill with a syllabus — working singers get by without it, and we bring it in when you ask for it. Pitch is the second, and it answers to training in the large majority of grown-ups who have already filed themselves under hopeless. Your voice is not on trial here. The opening hour settles it either way.
Take a published local threshold as the yardstick. Ozark Actors Theatre opened one masterclass to area youth from grades 4-12 — a nine-year span treated as one group, which tells you how loose these lines run. Six or seven suits a child, once concentration lasts long enough to use, and at that age the work is play with a shape. A teenager does best when somebody watches the voice shift instead of waiting it out. Adults set their own start, and no upper threshold applies. Age is the measurement that tells you least about a voice in front of you.
Two different measurements hide inside this question. One counts the minutes in an appointment. The other counts the months it takes. On the first, look at the Men of Song, rehearsing 7:00 a.m. to 7:45 a.m. — forty-five minutes, weekly, kept up for twenty-two seasons. Short and frequent outruns long and rare. On the second: by the third lesson, breath tends to behave differently; by the end of a term, one song is stage-ready; a year in, range and stamina survive a nervous room. Where you begin sets the pace. The two answers are different sizes, and both are honest.
If the connection is the worry, start with it. The Rolla Public Library lends Chromebooks on a 30-day loan period for distance learning, so the town already learns down this kind of line. With a link that holds, singing teaches perfectly well over video, since the whole lesson is one set of ears aimed at one voice. Speech codecs shave the top off a sung note; ours leaves it standing, and the hour records if you want it later, with that recording yours to keep. Singing in company is a separate good, and the Rolla Choral Arts Society runs ensembles for it. The lesson reaches you where the kitchen is.
Do you have any experience?
The Rolla Choral Arts Society runs its choirs out of rooms it does not hold. The Community Choir meets Monday evenings at First Presbyterian Church of Rolla, 919 E. 10th Street. The Men of Song take the Fellowship Hall at First Baptist Church on Friday mornings. The Community Children's Choir gets Wednesday afternoons at Rolla Middle School. Three ensembles, three landlords, and for its own address the society prints a post office box. Between the borrowed rooms the singing keeps its week; the walls around it change three times in it.
Missouri University of Science and Technology keeps three choirs in 138 Castleman Hall, and Rolla Public Schools prints eight music courses for 2026-27. Between them, a singer here has somewhere to stand in a section. The house at Ozark Actors Theatre does something else: it owns the Cedar Street Playhouse at 701 N. Cedar St., runs its own box office ninety minutes before curtain, and counts out its three seating areas on its own page. What sits outside those listings is an hour where room, repertoire and pace answer to one singer. A private lesson hinges on two doors that a group cannot open.
Missouri S&T prints the size of its Chamber Choir rather than leaving it vague: an auditioned, 24 to 28 member SATB ensemble. Good for a chamber group, hard for a director trying to hear one voice. In the same building the University Choir takes students, faculty and staff without a hearing, which widens the count again. Your coach works at one to one. There is time to stop on the bar where support gives out, to ask you to do it again, and to explain what changed. One to one, the arithmetic rounds the odd cents that a section leaves lying about.
Rolla High School prints what a first-year choir covers, in four items: tone production, sight-reading, part-singing, and performance. That is a syllabus for a room full of voices moving together. Yours runs shorter and in your order. Support that will not quit mid-line. Tuning that survives an accompanist who moves. The seam where the low register hands over to the high one, the usual sticking point past twenty. Carrying power, which is not the same thing as volume. Stamina. Sight-reading enters on request, not by default. Your coach keeps the order.
The City of Rolla puts the Eugene Northern Community Hall on an hourly rental, and its terms say those renting the Hall must set up and take down their own tables and chairs. Twenty-two tables, 118 chairs, your arms, before a note is sung. Singing lessons open at $29. Your first one is on us. The teacher is matched to the repertoire you walked in with. Your plan lives somewhere you can find it, and what changed gets noted while it is still fresh. Rebooking is a message. The paperwork is ours to keep in order.
The Rolla Public Library lends one kind of machine and says so plainly: lendable Chromebooks, for distance learning and general internet use, on a 30-day loan period, to a card holder who is 18 or older and whose card is at least one month old. One device per household. That is a narrow gate, and the library prints each bar of it. A lesson from us asks for a connection and a corner where the door shuts. Speech codecs shave the top off a sung note; ours leaves it standing. Record the hour if you want it back. Exercises and a summary sit waiting in your workspace. What the lesson needs is narrower than what the library asks.
The Rolla Community Choir rehearses Monday evenings from 7:00 p.m. to 9:00 p.m., singers age 16 and above. The Men of Song, in their twenty-second season, meet Friday mornings from 7:00 a.m. to 7:45 a.m., no audition, male singers with changed voices from 14 up. The Children's Choir takes treble voices from third grade to juniors in high school, Wednesday afternoons from 3:30 p.m. to 5:00 p.m. Missouri S&T's Chamber Choir meets Tuesday and Thursday, 12:30 p.m. to 1:45 p.m. Four ensembles, four clocks, and three of them inside somebody else's building.
What this town does publish runs from age 9 to 16 for the children's choir, 14 and up for the Men of Song, and 16 and above for the Community Choir. Different doors, different purposes. A singing lesson sets its own. A child begins when concentration lasts long enough to be worth using. A teenager benefits from having somebody watch the voice shift rather than wait it out. An adult begins on the day the decision lands, and those returning two decades later tend to outpace their own forecast. The ladder lengthens the winter list rather than capping it.
The city's parks department works 8:00 a.m. to 5:00 p.m. on weekdays, shuts for the hour from 12:00 p.m., and closes the hall it books on three named days a year. The library runs 9:00 a.m. to 8:00 p.m. on weekdays, 9:00 a.m. to 5:00 p.m. Saturday and 1:30 p.m. to 5:00 p.m. Sunday. Those windows belong to buildings. A lesson sits inside your week instead, mornings or evenings, and moves by message when the week moves. You move it by message and the week absorbs it.
The Men of Song put a meal in their listing: a light breakfast is served following each rehearsal. They finish at 7:45 a.m. on a Friday, and somebody has thought about what comes after the singing. A first lesson is put together the same way round. Sing something already under your belt. For an hour, one set of ears. You leave with a fix on today's voice and two jobs for next time, in an opening lesson in a room that stays yours. The hour shows you the voice as it is today.
Arts Rolla runs its membership from July 2026 through June 2027, which is not the calendar year and not the school year either. That is the year the council keeps, and on the same form it asks whether you would like to teach a class. Continuation, in other words, with a door in it. Singing runs on that shape: an hour a week, a teacher carrying the thread forward, a recording waiting when memory fails. The Rolla Choral Arts Society runs the Community Choir, the Men of Song and the Community Children's Choir, Missouri S&T keeps its three, and Ozark Actors Theatre holds a playhouse. Your own hour halves the standing charge of starting over.
.avif)
.avif)
