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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Branson, Missouri? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
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Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
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Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
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Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
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Carl
Singing student
The opening rate for a lesson is $29, and the hour preceding it is free. A figure you can read at the outset is a different object from a figure you have to ask for, and this page prints the readable kind. The condition sits in the sentence with the number: an hour a week, a coach whose field is whatever you turned up singing, and a plan you can reread later. No telephone call is needed to learn what an hour comes to.
Behind this question sit two separate worries, usually voiced together: sheet music means little to me, and I doubt I can hold a tune. Take the reading first. The Branson Regional Arts Council accepts tracks on a phone in place of sheet music at its auditions, which tells you how far a singer gets before a printed part becomes necessary. The second worry is about the instrument, and it is settled by hearing it rather than by arguing about it. A voice that slides off pitch has usually gone years without feedback, which is a history and not a verdict. One hour with a coach tells the two apart.
The Taneycomo Festival Orchestra takes applications from musicians over the age of 18, and sets no upper age against that floor. A singing age works the way that page treats a playing one. A child is ready when speech and pitch can be held apart for a short stretch, which for most is somewhere around six or seven; there is no year after which a voice stops being teachable. An adult starting at sixty brings a settled breath and a clear idea of the song, and both shorten the work rather than lengthen it.
OATS Transit asks that a trip in Taney County be scheduled 48 hours in advance, and that is a useful unit to think in. Two days is about what separates an hour of teaching from the practice that fixes it. An hour a week suits most adults, and a younger singer often does better with half an hour. Against that yardstick: three months to carry a song through without stopping, a season for a register change to settle, and longer again for breath that stays firm under pressure.
A recording and a lesson are easy to confuse, and they part company at one point that decides the rest. A recording runs one way, and the comment arrives after the singing has stopped. A lesson runs both ways, and the correction lands while the note is still warm. The video hour carries the second kind, because the sound path keeps the overtones a speech connection throws away. It wants a connection, a room that tolerates volume, and a device that stays put; it wants no journey and no piano of your own.
Do you have any experience?
The Library Center of the Ozarks prices a printed side to the cent, $0.15 in black and white and $0.50 in color, then calls the guest pass for its public computers a small fee and stops there. The City of Branson publishes three tourism tax rates and the day they fall due, the 20th of each month, and leaves the size of the license deposit off the page. The Taneycomo Festival Orchestra lists three items an applicant sends and one date to beat, and sets no charge beside them. The condition gets printed. The figure is where the page goes quiet.
March 1 is the date the Taneycomo Festival Orchestra asks applicants to beat. Beside it the page sets out three things to send, a one-page resume, a standard solo work and three standard orchestral excerpts, and beside those sits the place where the figure is left out. Deadline and inventory run side by side; the charge runs in neither. Why does a page furnish the date so plainly and keep the sum off it?
The Branson Regional Arts Council once held an audition workshop at the Historic Owen Theatre to ten students, 7:00 p.m. to 9:00 p.m., at $25 per student. Two notices, one of them silent on cost, are what a beginner works from, and between them stands the singer who read the terms and found no figure. An hour with SIRIUS is inked in as one coach and one voice. A workshop imprints a room of ten; an hour imprints whoever is sitting in it.
The audition list of the Branson Regional Arts Council sets out what to bring: a 60 Second Singing Audition in the musical style of the show, tracks on your phone or sheet music with an accompanist on hand, a printed headshot and an acting resume where they exist, and clothes you can move in. Turn the list around and the teaching stands behind it: breath that lasts past the bar line, a lift out of the chest register with no step in it, pitch that holds its footing in a loud room, and score-reading equal to a part. Where does a voice tick over from carrying a song to shaping one?
OATS Transit lists seven services for Taney County and asks that trips be scheduled 48 hours in advance. Those hours are the measure that page gives, and it gives no other: not a departure, not an arrival, not a fare. $29 is where lessons start, and the hour you try before that one is free. The plan behind it is set out in writing and stays reachable, so a fee mentioned but not stated has nowhere to sit. OATS moves a rider toward an hour fixed two days earlier; here the week is pared back and the hour travels the other way, toward the singer.
Four rooms at the Library Center of the Ozarks can be reserved online, in person or by telephone, and a cardholder pays no fee but has to stand in the room. First Presbyterian Church in Branson puts its 10:30 a.m. Sunday service on its own YouTube channel. Both are routes of application, and each carries its restriction: one asks you to be present, the other asks for no card. The school that prints both halves is lodged with a workspace that keeps the hour, so an exercise a coach shelves on a Tuesday evening waits, with its note, until Friday. What the hour needs is a connection and somebody at each end of it.
The Branson Regional Arts Council teaches voice, acting and piano at the Historic Owen Theatre on South Commercial Street, naming its voice teachers: Roger and Karen Bergford, Kristin Jewell Cartwright, Ellie Faggion. The Taneycomo Festival Orchestra gives free classical concerts and takes applications from musicians over 18. The Branson Chorale asks no audition of the singers who join it. In the Branson R-IV School District the vocal music teacher and choir director is Jacob Carlew, and its board of education approved the calendar for the current school year on February 19, 2026, issuing it in English and in Spanish.
The Library Center of the Ozarks sorts its cards under four column heads: Adult for ages 18 and over, Juvenile for ages 0 to 17, Short Term Residents, and Out-of-District. Two turn on age and two on residence, and what the headings leave out is the voice. A seven-year-old and a returning adult of sixty are sorted here by habit: one is learning that speech and pitch part company, the other is unlearning years of holding back in a car. A lesson shaves off what suits neither, and what is left is a column the card index has no head for.
Reservations at the Library Center of the Ozarks run through 417-334-1418, and a room booked that way still asks its booker to stand in it. The singer who read the terms and found no figure meets a fee mentioned but not stated whenever a booking cuts an evening into somebody else's shape. Lessons move instead: a morning before a shift, a Sunday after the 10:30 a.m. service, a Tuesday that becomes a Thursday because the week turned. Those evenings are bevelled to a different shape for each singer, and keep that singer's name.
The Board of Aldermen of the City of Branson sits at 6:00 p.m. on its second and fourth Tuesday, an inventory line that repeats without being asked for. A first lesson whose figure is on the page arrives beside that kind of line rather than behind it, and the coach who states the fee and the condition together keeps no part of it for a later message. Bring a song your voice already knows, sing it through, and leave with a description of what it did. So your own calendar starts the way the city's does: a date, a time, and no charge that snakes in behind them.
Elsewhere the condition arrives in full while the figure dwindles out of sight. A two-page filing with the Taney County Recorder of Deeds sits outside that line: it runs $26.00 plus $3.00, a county charge reaching Branson from Forsyth, and states itself down to $1.50 for a certification. The lesson that prints its figure beside its terms rides with a condition printed where a figure should sit, and prints both. Month after month that gap stays open here. Your hour need not.
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