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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Natchez, Mississippi? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
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Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
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Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
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Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
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Carl
Singing student
SIRIUS starts a singing lesson at $29 and counts up from there, and your free trial lesson comes before the first paid one. You book the trial, you sing, and the decision waits until afterward. Your coach keeps the high note that thins out in a written note, so the second session opens where the first one stopped. The starting figure rises according to what you book, and the trial itself is not billed.
That sentence usually reports one thing that keeps going wrong, and seldom passes a verdict on the instrument. Your next lesson records the time you picked and the trouble you named, and the second one starts from that record. One sentence hides a specific fault, and a coach puts a name to it inside the first session.
The Senior Choir at the Natchez Senior Citizens' Multipurpose Center sings on various occasions, while the Sanctuary Choir down at First Presbyterian rehearses on a fixed Wednesday. One group carries a weekday; the other carries an occasion. Your next lesson expects a thinning top note to behave differently at twelve and at fifty, and it treats the two differently. Two notations sit side by side, and age is not one of them.
The Natchez Festival of Music ran from April 25 to May 16 in 2026, and the months of preparation behind those dates appear on no page. That ratio holds for singing as well. The high note that thins out, a coach lays out in exercises short enough to run before breakfast, and those short runs matter more than the session itself. The quiet months precede the printed ones, and they carry most of the change.
The Natchez Transit System is demand response, which means the ride is arranged before it exists. Lessons over the network work to that pattern: the slot is agreed, and then there is a lesson. Your coach catches what your coach asks you to bring even at a distance, because a microphone built for singing carries the detail. The ride is arranged in advance, and so is the session.
Do you have any experience?
The Sanctuary Choir at First Presbyterian Church of Natchez rehearses on Wednesday evenings from 6 to 7 p.m. and again on Sunday at 9:45 a.m., under Vincent Bache III. The Natchez Festival of Music sells its seats at $30 to $35 per person, per event, across a spring season of three weeks. Two singing bodies, two published shapes: one prints a weekday and a window, the other a price and a span. The shape a group publishes here depends on who keeps the list.
The Natchez Senior Citizens' Multipurpose Center gives Ceramics a weekday and a window, Computer Classes a weekday and a window, Exercise a weekday and a window, and the Senior Choir the words on various occasions. Ceramics, computers, exercise, a Thursday enrichment hour, a twice-monthly film: five rows, five clocks. Singing is the row that gets an occasion instead. SIRIUS Music School redraws the time you picked whenever the month turns awkward, so the thing that moves is the slot and not the work. The list skips the clock where the singing starts, and it is not scrupulous about it further down the board either.
Vincent Bache III directs the music at First Presbyterian Church of Natchez, and the Sanctuary Choir he rehearses meets Wednesdays from 6 to 7 p.m. in the choir room. The choir room that fills on Wednesday empties again at 7 p.m. Singing lessons are the other way round: one singer, one listener, and the clock belongs to you rather than to a section. Your coach carries the time you picked into the following month and works inside it. The choir room fills with a section; your room fills with one voice.
A register change is the place where one way of making sound gives over to another, and few parts of singing want a second pair of ears more badly. The handover wants a listener, and the listener wants it slowly. Alongside that, the time you picked calls for two other things: a breath that still has air left when the line ends, and tuning that survives a loud room. The handover wants more patience than either of them.
SIRIUS Music School puts one coach opposite one singer and leaves the plan where the singer can read it. One coach faces one singer; a class faces a director. Whatever you bring to sing, your coach listens for first and prescribes second, so the exercises follow the music you actually chose. You book, move or add a lesson from a browser, at whatever point in the day suits you. One singer faces one listener, and the plan that comes out of it is written down.
The Natchez Transit System takes a booking by telephone and prints neither a line nor a schedule. The ride exists after the call: that is what demand response means. Singing lessons over video work the other way about, on a fixed slot and a recorded session. Someone who has sung in public twice turns up with what your coach asked them to bring, because the second time taught them what the first one cost. The telephone replaces the printed page there; here the recording replaces the memory.
Experience Natchez runs four houses and prints a head count for each of them: the Civic Center at 215 Franklin Street holds 300, the River Room at 200 N Broadway Street holds 200. Beside those numbers, the same page prints no rent. The Natchez Festival of Music put Songs for a New World into the David O'Conner Family Life Center, 613 Main Street, on May 2, 2026 from 7:00 to 9:30 p.m., at $35 a ticket. The Stay Tuned Music Fest opened its gates at Dunleith Historic Inn at 11 AM on May 9 and started its bands at noon, for $25.
The Natchez Historical Society puts its hospitality social at 5:30 pm and its history presentation at 6:00 pm on one November evening at the Historic Natchez Foundation, 108 S. Commerce Street. Thirty minutes of talking, then the talk itself. Age sorts a singing lesson about as firmly: it decides the content of the first ten minutes and lets the session run its length regardless. Play fills them for a child, a shifting voice for a teenager, and for an adult coming back, whatever survived the twenty years off. The notes your coach keeps, SIRIUS sets down after each session, whether the singer is nine or sixty-nine. The social precedes the talk, and the opening minutes precede the singing.
The Judge George W. Armstrong Library runs 10:00am to 5:00pm on weekdays and 10:00am to 1:00pm on Saturday. Five days run to 5 p.m.; the sixth stops at 1 p.m. Your next lesson reorders whatever you bring to sing when the day shifts, and the shifting costs you no paperwork. Saturday shortens for the library, and your own calendar does the shortening for you.
The Stay Tuned Music Fest writes Gates open at 11 AM and Bands start at noon on the same line of its notice. Two marks on one day: the gate at 11 AM, the first band at noon. A first session is shaped like that too. Your next lesson fetches the notes your coach keeps and sets the second session going from there. Noon separates the waiting from the singing, and a first session draws that line for you.
The notice board that gives ceramics a clock gives the Senior Choir an occasion. Five activities got a clock, and the singing got a word instead. Someone who has sung in public twice makes out the notes their coach keeps faster than a first-timer does, because they know what the note was pointing at. The occasion stands in for the clock on that board, and a written plan stands in for it on yours.
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