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Want to learn to sing and looking for a vocal coach in Montrose, Colorado? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
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SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.

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Do you have any experience?
The Valley Symphony Association prints its figures and then sends you to somebody else's counter to pay them. The coach shaping the line with you chalks up the piece you brought from home in the first hour, and what follows is built on it. Singing lessons start at $29, with a trial session that carries no fee ahead of that. The figure wriggles loose from the season entirely, because an hour is the unit here.
The Valley Symphony Chorus tests sight-reading, an unaccompanied selection and voice placement, three parts of one hearing. An untrained throat wanders, and wandering is the first thing training removes; the panel's verdict is about a section, not about whether a voice can be taught. The school keeping the schedule laces the record of what was fixed into the next hour instead, so no single hearing has to carry the verdict. Why does a panel decide in one sitting what a coach revisits weekly? A panel is filling a section; a lesson is building a voice. Confidence climbs once the judgment stops being one event.
Audition packets go out a month or so ahead, and the company states that prior experience is not necessary, which puts the door lower than most people assume. The lesson you are headed toward stops there too, at the piece you brought from home, whatever age carried it in. A child needs the exercises made short, a voice mid-change needs the register handled gently, and an adult starting late needs the old habits named first. Your coach sets them accordingly, and the tone thickens from wherever it began.
The orchestra rehearses from August through April and holds its shape across that span, so a member's progress is measured against a season. A lesson measures against a list. The lesson you are headed toward steps aside for the gap you left in the day, week on week, and that gap is where the practice actually happens. The first audible gains come early; holding up against a tired throat comes late. The list that retreats fastest is the one worked between hours.
Montrose Center for Arts carries the number 205 on East Main Street, and a library calendar still carries the number it left behind. House numbers outlast the houses that move between them. The lesson you are headed toward compares against the low phrase that goes thin, over a link carrying sound built for singing, and it therefore endures a change of address at either end. Your own room becomes the venue.
Do you have any experience?
The Valley Symphony Association gives a post office box for an address and sells its tickets over somebody else's counter. Cash or check goes to Budget Blinds in Montrose, Monday to Friday from 1:00 p.m. to 4:00 p.m., which is the shop's afternoon rather than the orchestra's. Magic Circle Players, at 420 South 12th Street, keeps its own box office and opens it from 2:00 p.m. to 5:00 p.m. on twelve dates it names itself.
Audition packets for the Magic Circle stage come out a month or so before an audition, and the company says plainly that prior experience is not necessary. A deadline like that belongs to a production, and it arrives whether or not a particular voice is ready for it. The voice doing the work puts to the test the piece you brought from home, on a date that presses forward from where the singing actually stands.
Sounds of Faith, the chancel choir at Montrose United Methodist Church, 19 South Park Avenue, meets Wednesdays from 6:45 to 8:00 p.m. in the sanctuary under Kelly Thompson. That is one evening shared by a full section. Throughout an hour at SIRIUS that whole attention goes to one singer and stacks up against the record of what was fixed, because one coach hears one voice and writes down what changed in it. In this town a house without a hall buys its counter from another trade, and takes that trade's opening hour with it. The Montrose Summer Music Series published neither a hall of its own nor a counter with its 2026 schedule, and still put four concert dates on it.
The Valley Symphony Chorus auditions in three parts: an 8 to 16 bar selection sung unaccompanied, a short sight-reading passage handed over on the day, and exercises for voice placement. Those three tell a panel where to put a singer, once. The school keeping the schedule puts on record the gap you left in the day, and by the time the third exercise of a lesson stands fast, the plan has already named the next one.
The hour you have booked opens on the thing that failed last week, and the written plan carries it forward until it stops failing. The Valley Symphony Orchestra rehearses from August through April, and a singer who turns up in May has to wait. You may find your own week refuses to sit still, and the lesson moves with it: the booking shifts when the week does, the plan stays legible in front of you, and a trial session that carries no fee comes first.
The voice doing the work draws the line there, at the point where what still needs another pass stops being guesswork and becomes a file. Precedence Music Academy runs a rental and repair counter Monday to Thursday from 4:00 p.m. to 6:00 p.m. and books lessons by appointment through the week. In one direction a counter fixes an instrument and the evidence goes home in a case; in the other the take peels off the hour and waits where you left it, with the drills written under it.
The Valley Symphony Association opens Season 55, running October 2026 to April 2027, with Anthems of Autumn at the Montrose Pavilion on Saturday, October 24, 2026 at 7:00 p.m. and again on Sunday the 25th at 3:00 p.m. Christmas By Candlelight follows on December 5 and 6, 2026, both at 3:00 p.m., and Exploring the Infinite is set for the last weekend of February 2027. The association's single tickets run $25 for an adult, $20 for a senior and $5 for a student. Magic Circle Players is casting for Once Upon A Lifetime and The Odd Couple at 420 South 12th Street, where packets go out a month or so ahead. Montrose Center for Arts reopened at 205 E. Main Street in February 2025 and is open Tuesday to Saturday from 11:00 a.m. to 5:00 p.m. LFMG Music Academy at 1025 E. Main St. runs In the Lab as a free after school program and lists voice among what it teaches. The Montrose Summer Music Series put eight named acts across four concert dates in its 2026 schedule.
All Points Transit sorts riders into two classes and sells them four units each, so an adult between 18 and 59 pays $1.50 for a ride and $3.00 for a day pass, while a rider who is 60 or over, or a student, or a veteran, pays $1.00 and $2.00. Age changes the figure there without changing the seat. The coach shaping the line with you locks into the gap you left in the day at whatever point of life that gap appears. A voice at nine and a voice at fifty-nine go through one order of work at two pitches.
The lesson you are headed toward types up the record of what was fixed while the hour is still going, so the note is made before the memory fades. Montrose Regional Library at 320 South 2nd Street closes at three different times across four kinds of day: 7:00 p.m. from Monday to Thursday, 6:00 p.m. on Friday, and 5:00 p.m. on Saturday and on a Sunday that starts at 1:00 p.m. Before a door like that the evening has a shape somebody else drew; after it the same evening is yours. What you cannot reach stops being a problem when the hour comes to the room instead.
The Magic Circle box office trades three hours on each of twelve named dates, at the same address as its stage. The school keeping the schedule judges by what still needs another pass rather than by what you can already do, and a first session costs you one piece out of your own repertoire. Granted that a first hour tells you less than a term of them, the plan it spreads over the following weeks starts from something real.
The Valley Symphony Association prints Adult, Senior and Student across the top of its price line and puts a figure under each. Where a house has no room of its own, its counter and its stage sit at different addresses, and the clock on that counter belongs to whoever owns the door. SIRIUS takes on the low phrase that goes thin without asking a section to be held open for it. Where does a voice go when the season has closed and the counter clears?