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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Emporia, Kansas? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
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Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
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Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
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Carl
Singing student
Lessons here open at $29, and the hour you try first is free, so a singer meets both facts at once. No second charge piles up behind them: no booking fee and no membership. The SIRIUS Music School spells out both in the same place, rather than leaving you to assemble them from two documents.
Reading music is not a condition of singing well, and it is not a condition here. The hour ends where it began, with the voice: your coach works by ear, demonstrates, and swaps phrases with you until it sits. Notation gets introduced when it starts to save time, which for some singers is the second month and for others stays beside the point. Whoever takes the upper line by ear is doing the same work as a singer following a score.
Children from around eight, and adults at whatever point they arrive, both work here. A voice runs past its own edge at different ages for different reasons: a young singer is growing into a range, an older one is often recovering one that went unused for years. The coach starts both on breath and posture, which do not vary by birthday, and then adjusts how much range each week asks for.
A full hour is the usual length, and thirty minutes suits a younger singer or a tighter week. Weekly is the usual rhythm, and each lesson starts over from where the last one stopped rather than from the beginning. One ride falls outside that: the will-call trip a rider books for a medical appointment, where Lyon County Area Transportation writes the passenger's own hour down and lets that rider wait up to an hour for the return. A singing lesson reverses that: the slot holds whether or not you call ahead.
Online lessons work, and they work for the reason a recording does: the correction outlasts the session. The marked copy you can open again shifts a notch each week as things get fixed, and your coach picks the hour up there rather than starting fresh. A quiet room and a wired connection matter more than a microphone. Singers who split their weeks between online and in-person hours lose no ground in the switch.
Do you have any experience?
The Emporia Public Library reserves three rooms and prints a different grace period against each. A study room seats three and holds a booking for fifteen minutes. The Zoom Room seats six and holds it for thirty. The Meeting Room seats seventy-five and holds it for a full hour. The bigger the room, the longer the building is willing to wait for you.
Turn the room into a vehicle and the patience reverses. Lyon County Area Transportation gives a rider a thirty-minute pick-up window, asks that rider to be ready ten minutes before it opens, and instructs its drivers to wait five minutes and then move on. Standing rooms wait for people; moving ones expect people to wait. A weekly lesson weighs against both habits by fixing one hour that does neither, and the lesson whose date is set holds its place the moment you stop negotiating with a schedule drawn up for somebody else.
How much of an hour goes to your particular problem? In a lesson, the answer sizes up against one voice rather than a roster. Your SIRIUS vocal coach works on the entry that lands behind the beat, or the top vowel that loses its shape, and holds to one figure of progress until it settles. Auditioned ensembles cannot spend an hour that way. The Chamber Choir rehearses Tuesday and Thursday from 1:00 to 1:50 p.m. as twelve to twenty-four voices, and a rehearsal divided that far is not a diagnosis.
The working list is short and it is physical. Breath that carries a phrase without running out, a register crossing with no visible seam, vowel shape that keeps the top open, and an entry that lands where you meant it. The aria you were handed falls quiet halfway through for a reason, and the reason is usually one of those four. Your coach backs out for no part of that list; each item gets named, worked, and then checked against a recording instead of against memory.
Why does a singer here end up dealing with three separate bodies to sing once a week? The choirs belong to Emporia State University, the recreation programs to a commission whose taxing authority is the school district, and the transport to Lyon County. Each writes its own rules and its own waiting times. The SIRIUS Music School writes in one place instead: one coach, one hour, one booking, and an opening lesson that costs you no money. The setup moves to another name for no one in between.
A booking system is where most of this waiting gets administered, and SIRIUS settles it in the same window where the singing happens. The marked copy you can open again sits unchanged in your account between lessons, carrying the corrections from the last hour. Recordings replay at whatever speed the passage needs. What the plan keeps for later stays visible rather than depending on either of you to remember it.
The Emporia Chorale asks for no audition and rehearses on Monday at 7:00 p.m. alongside students. The A Cappella Choir rehearses Monday, Wednesday and Friday at 1:00 p.m. and requires both an audition and a full year commitment. The Symphony Orchestra gathers in Beach Hall 134 on Monday at 7:00 p.m. under a course number, drawing fifty to sixty-five players from the campus and the town, and the Emporia Symphony League supports it with two outreach projects, a children's concert and the ESU string camp. Tickets to its concerts are sold at the door by the university in three categories: general admission, students and seniors, and children twelve and under free. Buyers are told to come a few minutes early and pick the ticket up in the lobby.
The library's rules turn on age as well as on room size: a study room sets no age limit, the Zoom Room asks for sixteen, the Meeting Room for eighteen. A voice does not sort that neatly. Whoever takes the upper line at twelve and whoever returns to singing at sixty-two both need breath before repertoire, and the coach leaves it at that rather than adding a bracket. What differs is stamina and how quickly a correction sticks.
Beneath a schedule built by three different bodies, one fixed hour is easier to defend than it sounds. A lesson moves indoors and stays there: the slot you carved out of a shift buckles to your own week, not to a dispatcher's window, and an evening after 7:00 p.m. works as well as a weekday morning. Rescheduling needs a message, rather than a form filed a day ahead.
The trial lesson costs you no money and stands open longest of what is described here, because no booking has to follow it. It reads against your actual voice rather than a level you would have to claim in advance. You bring a song or you bring one of ours; the hour finds a starting point either way, and the decision comes after you have heard it.
In this city the printed patience runs one way for a room that stands still and the other way for one that moves, and a singer ends up reading both. A lesson narrows to one door: an hour of your own, a coach who recalls what you worked on, and a figure that does not move with the size of the room. The lesson whose date is set notes down the rest of the week around it.
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