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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
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Want to learn to sing and looking for a vocal coach in Manhattan, Kansas? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
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SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
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Around $50 to $90 buys a private hour in this part of Kansas, with the university end of the market sitting higher. We waive the opening session, so the thing you end up judging is an hour of teaching and not a rate sheet.
Almost anybody. The Masterworks Chorale has held no formal auditions since 1994 and still carries about eighty singers, which is not how you would run a choir if the ability were handed out at birth.
Around seven, in lessons that stop before the concentration does. A teenage voice is under reconstruction and does better supervised than shelved. Adults start whenever they decide to, and here a fair few decide after retiring.
Breath changes fastest, often inside a month. Tone you can count on with strangers listening takes most of a year. What comes after that gets smaller and slower and is the part people stay for.
They do. Precise listening in one direction and a model in the other are the entire transaction, and a clean line delivers both. In a county where a hobby chorus draws members from a hundred miles out, not driving is worth something.
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Manhattan got its name from a boatload of Ohio settlers. Free-State families from New England had already put a town on the ground where the Big Blue runs into the Kansas River in the spring of 1855; that summer the steamboat Hartford arrived carrying the Cincinnati and Kansas Land Company, prefabricated houses in the hold and a condition attached, and by the end of June the place was Manhattan. The Chamber of Commerce trademarked the Little Apple in 1977 and the city has leaned into the joke ever since. Around fifty-four thousand people live here, roughly seventy-two thousand in Riley County, with Kansas State University the largest employer and Fort Riley eight miles southwest.
Because for a town this size the singing runs unusually deep, and most of the doors are open ones. The Flint Hills Masterworks Chorale has been the community choir since 1994, holds no formal auditions, and fielded around eighty voices at its last big registration; it rehearses Tuesday evenings at First Lutheran on Poyntz. A summer chorus has run alongside it since 2001. The Flint Hills Youth Choirs, founded in 2015, now run four graded ensembles from third grade through twelfth. The Little Apple Chorus, a Barbershop Harmony Society chapter established in 1977, meets Thursdays and pulls singers from a hundred miles in every direction. And the university's School of Music, Theatre, and Dance carries roughly five hundred majors, five voice faculty, degrees in vocal performance and musical theater, and choirs ranging from an auditioned Concert Choir to a Treble Choir any student can simply enroll in.
Every one of those is a room to sing in. None of them is a room where your particular voice gets taken apart. A director in front of eighty people is listening for balance, and the reason your upper range tightens in the third verse will never reach the top of that list. It takes an hour with nothing else in it, and a plan written after somebody has actually heard you.
Air first, and air stays the thing that feels deliberate longest. After that, pitch that does not sag when a room goes quiet, a top register that arrives with weight instead of thinning out, and enough in reserve to sound like yourself in the last number. Text, color and bearing on stage are taught last and heard first.
A person looks at your repertoire and chooses accordingly. That first hour is on us. The calendar is yours, moves included.
Nothing in a voice lesson travels except sound, so sound is where the engineering sits and video takes the remainder. A grabbed breath or a vowel going wide under pressure reaches your teacher undamaged and gets named inside the phrase. The recordings and the exercises are waiting for you on Wednesday.
McCain Auditorium opened on the campus in 1970 and seats a little over seventeen hundred; the Vienna Boys Choir sings there in October. Downtown, Wareham Hall has been dark since September 1986 and its restoration is aiming at winter 2027, so the marquee you photograph is not yet a venue. The Municipal Band has played free June and July dates at the Larry Norvell band shell in City Park since 1920, its players drawn from the university, the schools and Fort Riley. As for singers, the town has produced a real one: Bridget Everett was born here in 1972, took a full scholarship to Arizona State and graduated in vocal performance in 1995 before building a career out of the voice. Dawayne Bailey grew up here and went to Manhattan High, then sang and played guitar behind Bob Seger and shared a lead vocal with Robert Lamm on a Chicago title track. Damon Runyon, whose stories became Guys and Dolls, was born here in 1880. One honest note: Jerry Wexler, the producer who gave rhythm and blues its name, took his degree at Kansas State but was raised in the other Manhattan, and this town cannot claim him.
Our students sit down in Aggieville and off Poyntz, out at Fort Riley, and in Junction City, Wamego and St. George.
A university year with two hard stops, hospital rotations and a post rotation between them make a standing weekly slot across town a fragile thing to defend. An hour that starts wherever you happen to be sitting needs no defending.
Take the unbilled hour. Sing something you know by heart and hear what a trained ear pulls out of it.
A town where barbershop singers drive a hundred miles on a Thursday is not indifferent to singing. Start yours a few blocks off Poyntz, at home.
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