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Want to learn to sing and looking for a vocal coach in Dover, New Hampshire? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
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Carl
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<p>Portsmouth Christian Academy at Dover publishes lesson prices by the minute: $18.50 for fifteen, $37.00 for thirty, $55.50 for forty-five, $74.00 for sixty. Those are one school's figures for its own students. The hour begins at $29 with SIRIUS, with the trial hour costing nothing, so you hear what an hour does before deciding anything. The point is which figure you can see before committing to it. $18.50, $37.00, $55.50, $74.00.</p>
<p>It depends what you mean by cannot. If you mean nobody ever taught you, that covers almost everyone who says it, and it is fixable in the ordinary way. If you mean you cannot hear when you are off, that is rarer than people think and is usually a support problem wearing an ear problem's coat. If you mean nobody ever told you it sounded all right, that is a fact about your history and says nothing about your voice. The First Parish Choir mentions no audition at all. If none of those describes you, a first lesson will say which one does.</p>
<p>The First Parish Choir seats high schoolers and adults in the same room and asks nothing about either. That single sentence answers most of the question: the room declines to sort by age, because sorting by age would tell it nothing useful. Readiness is what matters, and readiness keeps no relation to birthdays - a voice never used needs a different first month from one pushed hard for thirty years, and either can belong to a fourteen-year-old or to a sixty-year-old. A lesson starts from whichever voice turns up.</p>
<p>Two answers, and they disagree. The first is measurable: air, tuning, the reach of the top, all of it shifting within weeks of steady work, because a body can be shown how to do these things. The second is not measurable at all - singing in public and still sounding like nobody else, which arrives when it arrives. A block of lessons at 20 Seaborne Drive runs "6 to 9 weeks," enough for the first answer and not the second.</p>
<p>The usual objection runs the wrong way around. The worry is distance; in practice a microphone at conversational range is nearer your voice than anyone sitting across a rehearsal room. The one thing that does not arrive is the experience of standing in a section, and for that the Sunday evening at 218 Central Avenue is open from high school age up. So the distance runs backwards: far from the room, close to the voice.</p>
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Nellie Brown Mitchell was born in Dover, New Hampshire in 1845 and learned to sing here, studying with Caroline Bracket before her career began at the Free-Will Baptist Church in 1865. She resigned that church position in 1886. Two doors, then: a private teacher and a place in a congregation. Dover still has both. What has changed is which of them a stranger can walk into.
The congregational door is still wide open. The First Parish Choir at 218 Central Avenue rehearses Sunday evenings, 6:00 p.m. to 7:30 p.m., September through late May, "open to all ages, from high schoolers through to adults," and its music page adds that "New members are always welcome." The teaching door has narrowed. The published lesson price list in this city belongs to Portsmouth Christian Academy at Dover, 20 Seaborne Drive, whose Kaleidoscope program serves that school's own students and fits its teaching into free periods, lunch, recess and the hours after school. One half of Mitchell's pair is a room anybody can sit down in. The other half now has a school calendar around it.
The record on Caroline Bracket runs to one sentence: a singer studied with her, and she "encouraged her to pursue a professional vocal career." It is all Dover knows about how she taught. The arrangement itself is not mysterious, though - one person who sings, one person listening closely enough to say something useful, and enough weeks for the saying to take effect. A room of singers produces a blend, and a blend will never explain why one particular line thins every week. The sentence about Bracket is short because the arrangement is simple.
The list runs backwards. Stamina fails first in public: the last line of a hymn, the second half of an evening. Behind stamina sits tone, because a tired voice thins before it goes flat. Behind tone sits breath, the engine for both and the only one you can feel yourself getting wrong. Behind breath sits the crossing between chest and head voice, where most of the wasted effort goes. Underneath all of it sits pitch, a support problem far more often than an ear problem. Settle the support and the stamina at the top of this list stops being the thing that gives way.
Portsmouth Christian Academy at Dover publishes its Kaleidoscope prices by the clock: $18.50 for fifteen minutes, $37.00 for thirty, $55.50 for forty-five, $74.00 for sixty. No price list shows what fills the time. At SIRIUS it is one coach who knows the repertoire you came for, and yours to keep; a plan you can read; recordings and exercises that stay put in your workspace; an appointment you can move without asking anyone. No fee is attached to the opening lesson. Sixty minutes.
The First Parish Ringers meet "every Sunday following the worship service." The phrase names a real time and contains no number in it. Recordings are the opposite kind of object. Every SIRIUS hour is captured with a clock running, so a correction that lands at minute nineteen sits at minute nineteen on Wednesday, replayable at whatever speed you need. The audio exists to keep what singing does softly - a breath drawn before a phrase, a consonant landing late. One time is relative. The other carries a timestamp.
The Cochecho Arts Festival is now in its fortieth year, at the Rotary Arts Pavilion in Henry Law Park, 1 Washington Street, and every event in it is free to attend; Friday headliner nights begin at 6:30 p.m., a children's series Tuesday mornings, 10:30 a.m. to 11:30 a.m. First Parish, gathered in 1633 and the oldest congregation in the state, keeps a three manual organ of 73 ranks with a brass Festival Trumpet mounted en chamade in the balcony. And on the municipal Pine Hill Cemetery, a headstone was engraved in 2021 by Chip Tasker of the Tasker Monument Company here in Dover, carrying "Lift Every Voice and Sing" over Mitchell's grave.
Born in Dover in 1845, taught here by Bracket, a church position in 1865, a resignation in 1886 - and after that her own concert company, with private teaching by the Guilmette Method arriving in the 1890s. Four marks in one town, and a career that later ran through Boston. The First Parish Choir today puts "all ages, from high schoolers through to adults" in a single room on a Sunday evening, and the city's schools run vocal music across grades six through twelve. An hour of teaching sits outside every one of those brackets, being measured against your own last month. 1886.
"Every Sunday following the worship service" is a time defined by another time. Dover's published singing mostly runs that way. The choir at 218 Central Avenue rehearses on Sunday evening because the service is on Sunday morning. Teaching at 20 Seaborne Drive is arranged "between parent and instructor" around a school day, and a block of it runs "6 to 9 weeks" depending on the quarter. An hour with SIRIUS has a time because you gave it one, and you can give it a different one next week. Following the worship service, or following nothing at all.
In the 1890s Mitchell taught privately by the Guilmette Method. The arrangement was a teacher, a student and a room, and a first lesson still has those parts and no others. It produces causes: the vowel that closes going up, the support that goes at the same point every time, the note the throat braces for before it arrives. None of that requires you to be any good yet. It requires you to sing once, all the way through, while somebody pays attention. A teacher, a student, a room.
Dover has kept the same two doors for a very long time: a congregation that takes whoever turns up on a Sunday evening, and a private teacher. The congregation still stands where it stood; the only published price list belongs to a school. Between them sits the arrangement Mitchell went to Bracket for - one voice, undivided attention, and a description you can act on. The date on the older door is 1865.
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