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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Claremont, New Hampshire? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
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SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
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2 hours / month
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4 hours / month
$116.10 / month
$129.00 / month
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Singing student
Our figures begin at $29 for the hour. The trial that precedes them carries no charge. Those two figures are the whole of the price. The Opera House asks sixteen fields on its space request form and answers with no figure, so pricing a hall here takes longer than pricing a lesson. A lesson runs that sequence backwards: the number comes first, the questions after. You pay for one hour with one teacher, and the figure carries no item you have not agreed to.
Is this open to a beginner, or is there a bar to clear first? It is a fair question, and what can be said plainly is that the bars in this town are mostly written down. River Valley Community College sets three residence classes, and the middle one is defined by naming five states: Connecticut, Maine, Massachusetts, Rhode Island and Vermont. Where does a boundary drawn that precisely leave somebody who wants to sing? Outside it, which is the point. We set no class and name no state. You need not read music to begin, and if you cannot yet sing, the hour exists for precisely that.
The city lets a child hold a library card at 5, as soon as the child can sign the name on it. That is the earliest age the city puts in writing for a threshold it sets itself, and the general answer reads off it: what matters is whether a child can follow and hold an instruction, not a birthday. Lessons run from about that age upward, and adults who have not had one before start on the same terms, at whatever age they arrive.
One round of the town bus schedule opens at 8:00 a.m. and closes at 8:51 a.m. Read in that unit, a lesson runs a little past the hour, once a week. The useful part is the return rather than the distance: the bus passes that same square three times in one round, at 8:00 a.m., at 8:30 a.m. and at 8:51 a.m., so progress here looks like coming back to a place and finding it changed. Give it a year and the square looks different.
Two things get confused here: whether a lesson can happen over video, and whether a performance can. River Valley Community College runs courses marked one hundred percent online, and it runs them at three places its rule treats alike: Claremont, Keene and Lebanon. One rule, three locations, no difference drawn between them. A singing lesson is the first kind of thing. It needs a browser, a headset and a room you can close; a stage is not among its requirements.
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Singing lessons by state
The Fiske Free Library opens at 9:00 a.m. on Monday, Wednesday and Friday, and those are the same three days its interlibrary loan is delivered. One office prints two lists, and they agree without either mentioning the other. The Census Bureau counted 13,032 residents in Claremont for 2025. A singing lesson belongs in a week that has a printed shape already, because then you are not inventing an hour, you are taking one the calendar has named for you. That is a smaller decision than it sounds, and it is where most beginnings stall.
Trinity Church at 120 Broad Street prints one time for Sunday worship, 9:30 a.m., and no rehearsal time beside it. The library at 108 Broad Street prints its hours down to the half hour. Two doors on one street, two very different amounts of published detail. Singing lessons belong to the second kind of entry: a stated hour, a stated length, a named teacher. You can build a week around something that prints its own time, and you cannot build one around something that leaves the time out.
The library keeps three day shapes: 9:00 a.m. to 5:00 p.m. on Monday, Wednesday and Friday; 11:00 a.m. to 7:00 p.m. on Tuesday and Thursday; 9:00 a.m. to 1:00 p.m. on Saturday. A lesson takes its cue from a grid like that instead of arguing with it, so the hour lands where your week is clear already. A single teacher, a single voice, one-on-one for the full hour. There is no turn to wait for and no section to carry, and the hour moves at the speed your voice sets rather than a room's.
The Opera House prints a seating legend of five classes, and each class carries a color as its name before it carries a function. A lesson plan is ordered the same way, label first and substance after. First breath, the part that can be measured. Then the place where one register gives way to the next. Then pitch, which either holds under pressure or slips. Then reading, far enough to keep a part. Last, stamina. The legend names its five classes and stops short of a price; a lesson prints one, which is the line the legend leaves open.
The library week is not three equal days but two and a half: two shapes of eight hours, one of them shifted two hours later, and a Saturday of four. SIRIUS is arranged with the same seam. There is a teacher chosen around your own repertoire, rather than assigned to you. There is a written record of where the voice stands, which stays yours between lessons. And set apart from both, a first hour at no charge. The first two belong together; the third stands by itself.
The community center track prints three lanes at 16, 15 and 14 laps to the mile, a descending order in a single unit. Our equipment list is read in that order too, shortest reach first, no conjunction between the parts: a browser, a headset, a room with a door you can shut. To hear the track you have to go to the track. A lesson reverses that direction and arrives where you are, which is the one move a lane cannot make.
The West Claremont Center for Music and the Arts lists Sacred Harp singing on three Saturdays, 1:30 p.m. to 4:30 p.m., at the Claremont Creative Center. The same body lists seven named programs. The Opera House shares the City Hall address at 58 Opera House Square, and carries eight dates on its calendar, the last of them 19 December 2026. The building belongs to the city; the calendar belongs to Claremont Opera House, Inc., and each prints its own part of the year.
The city prints five age lines across two of its own departments. A library card starts at 5, once the child can sign a name. A visitor under 18 comes with a guardian present. Children 10 and younger stay supervised. The fitness room begins at 12. An orientation is written for 12 to 16. Five lines, two offices, no published reason why they differ. Lessons run from the age at which a child can hold an instruction upward, and the upper end is written down nowhere, because there is no upper end to write.
Much of what gets published here is shaped like a week, and the state library directory prints the library hours that way. Your own week is the same kind of object, which is why a lesson can be moved inside it rather than defended against it. Move an hour, add one, or push it back a week. Moody Park is the exception that proves it - open daily from its Memorial Day start until Labor Day and then weekends until Columbus Day, it follows a different rule entirely.
Worship at Trinity happens each Sunday at 9:30 a.m. and the church publishes no condition for coming. The Opera House asks sixteen fields on its space request form, one of them the number of rehearsal days requested. Two doors, two entirely different thresholds. Ours sits nearer the first: no audition, no waiting list, no term to join at. You pick an hour and you take it, and if it sits badly you take a different one next week.
A voice worked on for a year arrives differently at a Saturday afternoon of Sacred Harp singing than a voice that has not. No item on that calendar asks you for proof, which is why it is a fair place to hear what a year has done. The state library directory prints 9:00 a.m. for Monday, and the same list prints Monday as an interlibrary loan delivery day. What changes in between is the one variable you hold, and a year is long enough for the change to be audible.
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