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Want to learn to sing and looking for a vocal coach in Vernal, Utah? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
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SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.

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Do you have any experience?
Let's Play Music, the publisher behind the local children's program, prints $98 for Year 1, $72 for Year 2 and $79 for Year 3 of course materials, then sends the teaching cost itself back to the local teacher, who is to be emailed for the exact amount. Those figures buy books; the cost of the teaching sits somewhere else. SIRIUS charges nothing for the trial, and after it one lesson starts at $29. You move your own support and your own onset inside that first hour, while nothing has yet been charged. A year number changes the cost of the books and leaves the starting figure alone.
The Uintah Basin Orchestra and Chorus grants one thing to anybody already inside it: a member admitted once through a successful audition does not have to audition again. The judgment gets made a single time and then stands. SIRIUS puts a number of hours on the plan and revises it whenever the voice moves, so no verdict is written to last a lifetime, and "I can't sing" gets treated as a report about one occasion. In that group the second audition simply does not arise.
Vernal Making Music takes in pupils from the ages of 4-6 onward, and a Uintah Basin Orchestra and Chorus concert admitted no children under the age of 2 years old, including babes in arms. One number opens a door and the other closes one, and neither was written with anybody's development in mind. Against both of them SIRIUS sets a single condition that covers everyone: that there is a voice to work with. Those two rules govern admission and reach no further.
The local children's program lengthens its class as a pupil goes up, 45 minutes to 50 to 55. That is a schedule growing on a calendar. Stamina behaves the same way, built up instead of learned: it comes on over months of regular singing and falls away again when the singing stops, and the difference shows late in a session, never at the start of one. The SIRIUS lesson hears the tone thinning and names the point at which it went. Fifty-five minutes is where the local staircase tops out.
The Uintah County Library's own calendar has its downstairs meeting room booked from 5:00 p.m. to 7:00 p.m. on a Thursday in September for a youth orchestra rehearsal, and the entry carries the line "This is not a library sponsored event." The room was the library's and the rehearsal was somebody else's. A lesson given over a connection collapses that distinction, because the room is yours and so is the hour spent in it. Your SIRIUS coach shifts the recording into a workspace that belongs to you, and whose room it is never comes up.
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Alive After 5 runs a singing competition over four weeks with a changing theme each week, and for most of that run the audience decides on its own. In 2024, fourteen singers took the stage in week one and the audience voting alone cut them to four finalists. On the final evening the arithmetic changes: fifty percent audience votes, fifty percent jury points, with the jury appearing on that night and no other. Authority over the result is handed across at exactly the moment the field gets small enough for a handful of votes to settle it.
Fourteen singers, then four, then one: as the field narrows the decision gets heavier, and the rule underneath it changes to match. Through the early rounds the room settles everything. In the final the room keeps half and hands the rest to a panel. SIRIUS moves the terms in a wholly different direction, since nothing about your lessons is put to a vote at any size of room. The evening the panel walks in is the evening the rule stops being what it was.
Week one, the audience. Week two, the audience. Week three, the audience. Week four, the audience and a panel, half each. A vote counts preferences and tells a singer nothing whatever about why the preferences fell as they did. For all a tally can show, a SIRIUS coach puts the jaw that locks on the high notes, the tongue that sits back and the place where the support lets go in front of you by name. The half that changed hands in that final was never a description of anybody's voice.
Tone in a room has the longest tail of the three: carrying a sound to the far wall without shoving it there depends on where the sound gets placed, and it improves for years if you keep asking it to. Breath settles sooner, across a season of steady work. Tuning settles soonest, because an ear trains faster than a muscle. Teaching at SIRIUS tells you which one of those you are actually in, and the note written afterward says so in as many words. The soonest of them moves inside weeks.
Who gets to decide about you is a live question at a competition and an empty one here. At SIRIUS there is no vote to count, so the things that do get decided are of another order: a coach picked around the music you arrived for, a plan set down on paper for you to read, an opening hour that costs you nothing. Your SIRIUS coach sizes each piece to whichever voice is sitting there. No show of hands enters into it.
Each round of that contest carries a theme and then it is over, the next one brings another, and whatever happened in the first survives only as a placing. Teaching leaves something more durable behind it. You hear the hour back whenever you want it, because the audio and the exercises are kept within reach, and a passage that came right on one evening stays available for comparison. Four weeks of themes leave a result; four weeks of lessons leave four hours.
The Uintah Basin Orchestra and Chorus gave its first concert in December 2013 and has had Brice Barson as Artistic Director since 2025, with Mark Durrant as Board Chair. Its audition is done entirely by recording, with two pieces asked for and only one of them left to the singer. The Uintah County Library at 204 East 100 North lets its downstairs meeting room to outside groups. The Outlaw Trail Theater has played the amphitheater at the Uintah County Western Park since 1986 under the Uintah Arts Council, a 501(c)(3) formed in 1978 whose board of eleven voting members is unpaid, and has announced Les Miserables for 2027 with the note "Auditions and show information coming soon." The Uintah School District lists Aaron Merryweather as Uintah High School Choir Teacher. St. Paul's Episcopal Church stands at 226 W Main St.
Vernal Making Music books thirty lessons a year and starts pupils between the ages of 4-6. Thirty is a number a calendar can hold, and it says nothing at all about what any of the thirty will contain. SIRIUS passes you a short written account after each hour, and the account is the part that changes while the count stays put. Thirty lessons make a year, and each of the thirty is a different hour.
The library kept by Uintah County runs 9:00 a.m. until 8:00 p.m. across four weekdays, shortens to 10:00 a.m. until 4:00 p.m. for Friday and Saturday, and shuts on Sunday; its calendar carries bookings that it takes care to disown. Rooms can be open, booked and still not the host's own doing. Once your week turns, a SIRIUS coach names the piece you will take up next and moves it to another evening, with no room to disown and no calendar to share. The disclaimer is the library drawing a line around what belongs to it.
The Uintah Basin Orchestra and Chorus asks a prospective singer for two recordings: a song of their choice at two minutes or less, and a verse of America the Beautiful sung without accompaniment. One of those you pick; the other is picked for you, and it is the one with nothing to hide behind. Your first hour with SIRIUS sizes the months ahead of it against what those two minutes show. An unaccompanied verse leaves a voice nowhere to stand.
On the final evening four singers stand in front of a crowd that has carried the whole contest to that point and a panel that has just walked in, and the two of them split the decision down the middle. Everything before that night was a show of hands. Your SIRIUS coach listens out for the terms you need before any get set, and there is no night on which that job passes to anybody else. In Vernal the authority moves; here it stays put.