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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Mountain Home, Arkansas? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
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4 hours / month
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Do you have any experience?
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Two different things are at work in this town: what holds once, and what comes back. The ASUMH community education catalog prices a six-week songwriting workshop at $250 and lists no singing lessons at all, so the figure you find there belongs to a course with a closing date on it. You hear the difference in how our own price is put: a lesson here opens at $29, the trial before it free of charge, so the whole arrangement gets tested once before it repeats. It goes on repeating as long as it keeps being useful, and stops when you stop booking.
The rules around here put a price on preparation: the school district's published guidelines say the same charges apply to rehearsal time as to the actual performance time. "I cannot sing" is usually a sentence about preparation too, and preparation can be taught. SIRIUS turns that first lesson into a diagnosis, and what it produces is a plan you can work from. The preparation time is usually the part no one has walked you through.
The age rules you can find in Mountain Home sit in price tables, not in teaching rules. Children between 6 and 12 are charged $5 at the gate of the summer rodeo, a ticket price and nothing more. Into a lesson none of that carries: your coach holds the material to whatever voice is in the room today, and moves it as that voice moves. Where the rule lives is the ticket table, and it stays there.
The Twin Lakes Choral Society once put its own working year in plain terms: four concerts, and three to four months of preparing behind any one of them. Your own schedule is shorter at the front end, because the lesson tells you inside the first month whether the breath is holding. Tone in a room takes longer and phrasing longer still, since both of them wait on the breath. Three to four months is what that choir put behind a single concert, and a plan of about that length is a reasonable thing to ask for.
A Dial-A-Ride trip with North Arkansas Transportation Service has to be spoken for a day ahead. The online lesson attaches no such condition to anything: you open the workspace at the time you booked, wherever you have set the laptop down. Your coach times the correction to the phrase itself, catches it while it is still going wrong, and the recording holds on to it for whenever you practice next. The 24 hours belong to the ride, and nothing else on your calendar has to meet them.
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The Sheid puts it on its own season page: a seat held through one season earns no claim on the next. The school district's published guidelines print the same rule for the Dunbar Auditorium, where last year's date has to be applied for again this year. North Arkansas Transportation Service applies it to a ride, since even where the fare inside the city limits is nothing, the trip has to be reserved ahead. Three houses in Mountain Home write the same rule out: a seat, a stage and a ride each have to be claimed again.
One sentence on the Sheid's season page does the work of a whole policy: seats held during Season 14 are not automatically reserved for Season 15. Everything about a seat there starts over, in a run of dates that opens on July 13 at the $5,000 level and reaches the general public on August 17. SIRIUS moves a lesson to wherever your days have room, and the arrangement itself does not lapse between one term and the next. The seat selection calendar, meanwhile, starts over on July 13 and asks the same question again.
If you want the Dunbar Auditorium on a given evening, the school district asks for an application, and it asks for it in good time. Your coach holds a standing lesson for you without any of that, and what carries across the gap between lessons is the record of your own voice. Into that hour your coach hands back the thing no booking system keeps: an account of what your throat actually did last time. The district's own published guidelines ask for the form before the date is held at all.
The lesson names four things and then keeps naming them: a tone that holds its size in a room without being pushed, resting on a handover between registers nobody is meant to catch, resting in turn on air that gets there ahead of the line it has to carry, and coming together in a phrase that is shaped and not merely finished. All four are audible in the tone you started from.
A seat at the Sheid and a date at the Dunbar are both commitments with an expiry on them. The arrangement at SIRIUS has none. The figure it opens at is $29, the trial before that is free, and the plan is set out in a form you can go back and check. Your coach sizes the next stretch of work against whatever date you have in view, and the arrangement holds after that date has gone by.
An application for the Dunbar Auditorium submitted inside 72 hours of the date will normally not be approved, according to the district's published guidelines. A recording asks for no such margin. You hear the phrase from one lesson again before the next one starts, at whatever time of day suits you, with the coach's correction sitting on top of it, because the session was captured while it was happening. Nothing has to be arranged in advance for that.
The Mountain Home Symphony has played since 1991 as a volunteer orchestra of 55 musicians drawn from southern Missouri and northern Arkansas, with a 30-voice chorus that sings at the two concerts it appears in each year. The winter concert falls on Sunday, November 22, 2026 at 2:30 p.m. at the Ed Coulter Performing Arts Center, general admission $10 at the door and online. The Sheid's Ed Coulter Performing Arts Center holds 824 fixed seats, and the house has booked Artrageous for Wednesday, September 23, 2026 at 7:00 p.m., Uptown for Thursday, November 5, 2026 at 7:00 p.m. and Christmas With the Nelsons for Sunday, December 13, 2026 at 3:00 p.m. Redeemer Lutheran Church at 312 W North St runs four ensembles under a Director of Parish Music, and First United Methodist Church at 605 West 6th Street keeps three separate music posts, one each for the Chancel Choir, the worship band and the handbells. The Red, White & Blue Festival ran on June 26 and 27, 2026, with admission to the grounds costing nothing.
Age does appear in the rules here, and it appears where the money is counted. The Sheid's season lines carry an adult price and a student price, and the student price is exactly half of the adult one in each row. The school district's guidelines for the Dunbar rank its users as its students, its community and commercial enterprises, in that order. Neither table has anything to say about a voice. SIRIUS bends none of those categories into a teaching rule, because all of them were written where money changes hands.
The booking comes before the ride here, and it is the booking that decides whether there is a ride at all. North Arkansas Transportation Service runs its Mountain Home service on weekdays from 8:00 a.m. until 4:30 p.m. and asks for advance reservations for the trip itself. Into whatever room you sing in, the lesson carries itself, with no route attached and no reservation standing between you and it. The order holds in town - reserve first, travel second - and at home there is no order left to keep.
There is a form behind the Dunbar Auditorium's calendar, and the district's guidelines say a booking carries no claim on the same date the following year unless a new application is completed; the calendar itself is set in mid-August. Your first lesson asks for none of that. The lesson says at the outset what it wants: a song you can get through, and an hour set aside for it. No form gets filled in twice.
A seat is applied for, a hall is applied for, and a ride is reserved before anybody takes it; the town writes all three rules out where they can be read. Your coach sets the next lesson against the work actually in hand and keeps setting it, session after session, with nothing to reapply for. The thing that stays is the voice you have been building and the person who has been listening to it.
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