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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Mount Vernon, Washington? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
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Lily
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“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Carl
Singing student
<p>The published figures around here are for tickets and for transport. The Skagit Valley Chorale priced its last announced concert at $20 in the hall, $18 for seniors, military and students, $30 for a box. A ride on Skagit Transit is $1.00, or $30.00 for 31 days. Against those, here is what teaching costs with us. A SIRIUS hour opens at $29. The trial costs nothing at all. Length and frequency are all that move the number afterward. You can find out where you stand this week, without waiting for a season.</p>
<p>The mariachi camp at the college is instructive here. It runs two tracks, one for beginner and intermediate players and one for advanced; it keeps a limited number of instruments to loan; and voice sits in the teaching plan alongside everything else. Arrivals are not asked whether they can already sing. Singing is a taught skill in exactly the way the guitar is, and people who announce they cannot do it are describing something nobody ever taught them. Saying you were never taught is a different sentence from saying you cannot learn.</p>
<p>It depends which door you are looking at. Mount Vernon High School takes anybody into Chorale and Troubadours and auditions for Cantus and Concert Choir, so a teenager's answer in this town is genuinely good. An adult's answer is a Tuesday rehearsal or a Monday one. A six-year-old's answer is a school. A lesson has no door of that sort, because the only thing age changes is how long an hour can usefully run: short for the youngest, careful through a voice in transition, and unhurried after that. Whatever age you are is the age to start at.</p>
<p>The question assumes a finish line, and singing has none. It has separate clocks instead. Tone and breath shift inside a few weeks of steady work. Tuning follows them, most tuning trouble being breath trouble underneath. Handing a voice from chest to head is the slow one and will not be hurried. Held against the mariachi ladder, the scale is obvious: Beginning Guitar and Guitarron, then Mariachi Azteca, then MV Mariachi. Nobody expects that inside a term. Three months is enough to see how the others are moving, though not on the first evening, here or anywhere else.</p>
<p>An online lesson is a room with two people in it and no acoustics of its own, which is what makes it useful here. In a rehearsal your voice reaches the conductor already mixed with others. On a call it arrives by itself, and every wobble a room would forgive is plain to the person paid to notice it. The recording stays. So does the plan. In a town where the way in runs through an instrument and an ensemble, a lesson is the other way in - the one that begins at your voice.</p>
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The largest singing program in Mount Vernon, Washington does not take singers. It takes guitarists. At Mount Vernon High School the mariachi ladder starts with Beginning Guitar and Guitarron, climbs through Mariachi Azteca and ends at MV Mariachi, and the program's own page counts over 100 students under director Ramon Rivera. The free summer mariachi camp at Skagit Valley College is built the same way: four afternoons, 2 p.m. to 6 p.m., two tracks by playing level, a limited number of instruments available on loan - and voice written into the teaching plan. The voice sits in the syllabus. It is never the thing you enroll with.
Because a voice that arrives as part of an ensemble never gets examined on its own. The town has good rooms for group singing. The Skagit Valley Chorale rehearses Tuesday evenings plus one Saturday a month at Salem Lutheran Church, 2529 North LaVenture Road, and admits members without an audition after a vocal range evaluation. The Skagit Symphony Chorus meets on Monday evenings and states that membership is by audition. Those are rooms where people sing together, and the singing there is worth doing. Sixty minutes spent on one throat is a different transaction.
A guitar tells you when it is out of tune: frets, a tuner, an obvious right answer. An instrument is a comfortable place to hide for exactly that reason. In a lesson nothing hides: a single coach, a single singer, and a running account of the sound you are actually making, not the blend your section makes around you. You will learn things about your voice no ensemble has had time to mention - assuming you want to know them. That question comes first.
An instrument is built and yours was grown, so the list is different. Tone comes first, because a guitar's tone was settled in a workshop and yours is settled by what your throat does under pressure. Breath is next, and it has no equivalent anywhere on a fretboard. Then tuning: you learned to hear it while tuning strings and now have to produce it. Then stamina, never taught by four afternoons of playing. The register handover sits at the end of the list, the one item nobody can practice for you.
A program that counts over 100 students on its own page, four directed choirs at the high school, adult choruses on Monday and Tuesday evenings: this town is not short of group hours. The arithmetic runs against the individual. SIRIUS is built on the opposite ratio: one teacher to one student, a coach picked for the songs you turned up with, and sessions that shift when the week shifts. No bill follows the first session. It is an entrance that takes you as a singer from the start.
The camp lends out instruments. A voice is the one thing nobody can lend you, and the only way to hand yours back is to record it. Turned around, recording becomes the most useful tool an online lesson has: every hour can be captured and stored in your workspace, drills and notes included, so the one instrument you cannot hold is at least replayable. The audio path favors singing over speech, so soft singing does not vanish on the way. None of it depends on the room you were standing in, at 2529 North LaVenture Road or at your own table.
The Lincoln Theatre at 712 South 1st Street opened on April 21, 1926 to a design by William Aitken, keeps its Wurlitzer organ, and passed to the city in 2001. Immaculate Conception at 215 North 15th Street lists cantors, psalmists and choirs, celebrates Mass in Spanish on Sundays at 11:00 a.m. and 1:00 p.m., and welcomes all older teens and adults. Through July and August the Riverwalk concerts run Thursday evenings, 6:00 p.m. to 8:00 p.m.
The local path runs in a fixed order. A child sings at school. A teenager chooses between the two school choirs that take anybody and the two that audition. An adult goes to the Skagit Valley Chorale on a Tuesday, or to Harmony Northwest at the Mount Vernon Senior Center, 1401 Cleveland Avenue, on Mondays from 6:30 p.m. to 9:00 p.m. Every stage of that is a group, and every stage assumes the voice already works. The missing stage is the one where it is made to work.
The fixed points are firm. The Chorale is Tuesday evening plus one Saturday a month. Harmony Northwest is Monday, 6:30 p.m. to 9:00 p.m. The Symphony Chorus meets on Monday evenings too. The mariachi camp runs four August afternoons, form due July 28. All of it belongs to a calendar somebody else drew. An online lesson belongs to yours and moves on the morning you need it to.
There are two ways in. One asks you to bring an instrument, learn it, join an ensemble and let the singing arrive with the package - a fine route that plainly works here. The other asks only for the voice you already carry around. There is nothing to borrow, no panel to convince, and no form with a July deadline on it. An hour later you have something the guitar route never hands out: a written account of what your own voice does under pressure, and the name of the first thing to work on.
A program that hands a teenager a guitarron and ends up teaching them to sing has solved a real problem, at a scale worth respecting. Still, it is a route whose first step is not a voice, and not everybody wants to take up an instrument to work on the one they were born with. If that describes you, the shorter way exists - though it asks for the one thing the group route never does, which is to be listened to alone.
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