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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Watertown, South Dakota? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
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/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
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Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
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Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
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Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
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Carl
Singing student
Seven dated evenings in this city are sold as one unit and the door itself sells no seat. The lesson you booked traces the date you put down and bills from there, session by session, with no term to sign. The first paid lesson starts from $29, and the one before it is free. No block has to be reserved, and no month committed. That explains why the deadline gathers the date you put down instead of a season.
The first session does not test you. It describes what it hears: you sing a piece you can already manage, and back comes a plain reading of how the voice behaves and which passage goes first. You bring the piece itself in exchange. If someone has told you that you cannot hold a tune, the verdict rests on pitch matching or on a register handover, and both are trainable. Thirty seconds of a phrase parts ways with a lifetime of that verdict the moment the coach on the call posts the date you put down against it.
No age is the wrong one to begin at. A six-year-old can start playfully, a teenager can be carried through the change, and a singer who stopped thirty years ago is ordinary here. The published age rules here limit a class: choir at Great Plains Lutheran High School opens in grade 10 and band in grade 9, which sets a door for a room and leaves the singer unmeasured. Across a grade range, your coach clears space for the bar that keeps sliding and takes over the paperwork accordingly.
That turns on the starting point and on the goal, though a difference is usually audible inside a handful of sessions. A cleaner register handover, support that reaches a phrase to its close, tuning that holds: those settle in gradually. The singer who booked it lists the music you carry in at the start. Watertown prices the same question by the month, where Jeana's Music Academy asks $80 for a standard thirty-minute weekly slot and $160 for the longer one. By the time the second list is written, the first one tips toward pieces you had set aside.
Video lessons work, and for singing they carry one advantage: the session is recorded. We engineered the audio for sung tone instead of speech, so a held note arrives with its actual quality. The lesson you booked records what the next one starts from. The moment a passage came right is still playable two days on, and the workspace holding it carries no separate line beside the $29 a session starts at. By the second session the written summary follows suit.
Do you have any experience?
The Goss Opera House at 100 East Kemp Ave lists seven rentable rooms and a capacity for each, among them 275 guests with meal service or 415 in theater seating. Under each of the seven, where a rate would go, stands one line: "For more information, please call 605-753-0200." The city Fieldhouse on 1900 W. Kemp Ave does the reverse, publishing four figures and no capacity: $150 and $300 for a two-hour booking, $50.00 and $30.00 by the hour. These two sheets publish a room with seats or with money, and neither prints the pair.
The coach on the call resets the note you take away when the room changes. The Parks, Recreation and Forestry Department states its rule on the City Auditorium at 125 S Broadway as an exclusion: the hall shuts to renters from September through May, while the same department posts walking times there Monday through Friday, 8:00 a.m. to 1:00 p.m. The exclusion repeats: neither a capacity nor a rate appears beside it. Where a hall prints a closed season and withholds both of its numbers, the singer who counted on it skips a step.
SIRIUS insists on the music you carry in before the rest is settled. Two inventories stand beside each other here. The Watertown School District's high school profile counts 132 course titles across thirteen fields, Music among them, and roughly 1,200 pupils. Great Plains Lutheran High School at 1200 Luther Lane NE publishes something narrower: choir as a class in grades 10 to 12, with three concerts in a school year. Does a field on a course list lag behind a grade range with three dated concerts?
The D.D. Miller Auditorium at 200 9th Street Northeast seats 1,000 and belongs to Watertown School District 14-4; the page printing that figure sends a renter to the business office and names no rate. What it leaves out is the money, and the omission is the point. Tuning that holds where the line turns, support that reaches a phrase to its close, the register handover, reading an unfamiliar score: not one of those carries a seat number. The lesson you booked asks for the bar that keeps sliding by its number. One document leans on a capacity; the other logs a fault.
The Watertown Concert Association, formed in 1937, publishes its seven evenings and the weekday of each: a Thursday, a Monday, a Saturday, a Friday and three Sundays, each at 7:30 p.m. in the D.D. Miller Auditorium. Seven dates, then, and no seat count for the room they fill. Our own order inverts that. You sing, one coach listens, a written note reaches you after, and a first lesson you do not pay for comes ahead of the first bill. The coach on the call hears out the music you carry in. Who lines up seven evenings in advance, when the subject is a single voice?
The Redlin Art Center at 1200 33rd Street SE breaks the rule this page rests on. The coach on the call turns in the bar that keeps sliding as a marked recording, so the fault has an address in the file. The center names a 108-seat theater and, on the same page, names the sum: admission is free, with multiple showings daily. You may find that pairing ordinary, and it still cuts across three other houses here that print one of the two and stop.
The Lutheran Church of Our Redeemer at 2001 2nd St. NW runs two schedules and prints both. September to May: Saturday 5:30 p.m., Sunday 9:30 a.m., Wednesday 6:30 p.m. From Memorial Day to Labor Day the Wednesday service stops and Sunday divides between 9:00 a.m. at Memorial Park and 10:30 a.m. A season ticket to the Watertown Concert Association costs $50 from the Watertown Concert Association, or $20 for a student. Great Plains Lutheran High School sends an auditioned Honor Choir out to area congregations and runs a band in grades 9 to 12.
One building here carries two house numbers: 200 9th Street Northeast counts a thousand seats and no rate, 209 9th ST NE counts course titles and pupils and mentions no hall. Age sits on the second list rather than the first, in a grade range where a voice does not appear. Six-year-olds begin playfully; a teenager is carried through the change; an adult whose last choir met in a school gym starts from where the voice sits today. The lesson you booked sets down the note you take away after each of those. A grade range holds out against the voice it was written for.
Community Transit of Watertown/Sisseton, Inc. at 205 1st Ave NE publishes what it charges and withholds what it holds: Community Transit charges $4 or $6 for an in-town one way and carries a medical trip inside the city limits at no fare, and no vehicle capacity stands beside either figure. Across that omission the note you take away is filed by your coach. A fare without a seat count is the same shape as a hall with a seat count and no fare. Granted that a standing appointment holds most of the time, a lesson you can move picks up the note you take away where the last one stopped.
The address you sing from carries a house number absent from these sheets. The lesson you booked moves over the music you carry in without asking you to prepare a new piece. Sing something you can already manage, once, and listen to what returns: where the voice sits, where it tightens, which passage comes first. The plan that follows the first session widens the music you carry in.
The Friends of the Goss Opera House, a 501(c)(3), bought the building on December 31, 2018. What the house asks a renter for is a telephone conversation, and it posts no sum beside its seven rooms. SIRIUS logs what the next one starts from after each session. The exchange runs in the other direction here, and it leaves you holding the record. The rule that a room shows seats or money reaches as far as the page that prints it and no further, which shortens what the next one starts from to a single passage.
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