.avif)
Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Gillette, Wyoming? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
.avif)
Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
.avif)
Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
.avif)
Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
.avif)
Carl
Singing student
<p>Local singing carries local prices, and they are memberships. The Chamber Singers charge annual dues of $100 toward music, director salaries and guest honorariums, with concert attire on top and paid by the singer. The college choir charges community members nothing. All of that belongs to other bodies. We work by the single hour. Singing lessons open at $29, and you take them one at a time. The first hour comes free, so a genuine coach and a genuine session arrive before any money is discussed. Length and frequency adjust the figure.</p>
<p>The audition list at the Chamber Singers is quietly reassuring on this point. Read what it actually asks for: pitch matching and recall, an exploration of range and timbre, vocalises. Each of those is a trained skill, and not one is a gift you either received or missed. Beginners respond to the same training.</p>
<p>Two local numbers frame it. A children's show here has auditioned ages 6 to 16, and the college choir invites the community without naming an age at either end. Lessons sit outside both frames: the age only decides how the hour is built, with short sessions and familiar tunes for the youngest, patience and planning through the years a voice spends rebuilding itself, and undoing accumulated habit for adults arriving after a long gap or from nowhere at all.</p>
<p>Five evenings produce one symphony concert here - four in preparation, one in the hall. A voice does not work on that cycle, and the useful comparison is what five hours buys in each case. Five rehearsals get an ensemble through one concert. A handful of weekly hours will usually let you hear your own breath behaving differently. Neither is the end of anything; the ensemble starts the next block, and the singer keeps going for as long as they sing.</p>
<p>For singing it works better than most people anticipate. The four-and-one pattern is how an ensemble gets into the space it will perform in, and that logic is real for a group. A single voice has the opposite need: one listener, close, with nothing else in the way. Close-miked, a coach receives far more usable detail than the back of any room supplies. Corrections land on one syllable, and the hour stays in your workspace to be replayed.</p>
Do you have any experience?
The Powder River Symphony publishes its rehearsal calendar in a shape it repeats for every concert of the season: four evenings at one address, then a single evening in the CAM-PLEX Heritage Center Theater, immediately before the performance. Four and one. The move into the hall has its own date, printed alongside the others, and it happens exactly once per concert. Whatever the players sort out in those first four evenings, they sort out somewhere that is not the room where anyone will hear them.
The proportion is worth sitting with. Four evenings of preparation are heard by the people in the rehearsal room and nobody else; one evening is heard by a hall holding 914 seats. Almost all the work happens where the acoustics, the distances and the stakes are different from the place the work is aimed at. Singers face this more sharply than instrumentalists, because a voice changes with the room it stands in - and the room a singer prepares for is rarely the room the preparation happens in.
The ratio deserves turning around. In four evenings inside a rehearsal room, a section leader takes you in as one strand of a group, and on the fifth a hall takes in the whole body at once. Nowhere in the sequence does one hour belong to your voice by itself. The Gillette Chamber Singers state their own numbers plainly: forty to forty-five members, with the ensemble size set by balance across the voice parts. Balance is the correct goal for a chorus and the wrong one for a beginner: it is measured across people, and a beginner needs measuring against their own last attempt.
Stamina comes first in this order, since a two and a half hour rehearsal is one of the published units here and it defeats untrained voices well before the halfway point. Breath second, rebuilt low and slow, since stamina spends it. The register crossing third, worked until the step becomes a slope. Those three carry the load; tuning and tone follow them rather than needing separate campaigns. Tone is the one a room of 914 seats will test, because carrying that far without force is a technical matter and not a question of volume.
A match means something concrete here: the person listening was picked for the songs on your list and the voice you actually own, and that the same person comes back the following week already knowing where you left off. Singing lessons open at $29, purchased an hour at a time, with the plan written out for you to consult and sessions that shift when your week does. No charge falls on the first one.
A concert cycle contains a countable number of listenings. Four rehearsal evenings, one hall evening, and then the sound is gone. A recorded lesson adds one more kind of listening, and it is the one where you sit in the audience: the same phrase at the same tempo, your first attempt beside your fourth, the catch on the same syllable audible to you and no longer merely described. Four evenings and a hall tell an ensemble how it sounds together. A recording tells you how you sound.
The Heritage Center Theater at 1635 Reata Drive seats 914 and lists star and chorus dressing rooms in its own description; the building answers to a joint board formed by Campbell County and the City of Gillette together. The Gillette Chamber Singers, founded in 1986, rehearse Sunday evenings from 4:00 to 6:30 p.m. and sing a Service of Lessons and Carols at the First Presbyterian Church on Carey Avenue with no admission charged. At the college, a Collegiate Choir gathers each Thursday evening, 7:30 until 9:00, in room TEC 213, open to all voices in the community and free to them.
Credit where it belongs: the Thursday choir at the college genuinely does have an open door. No audition is required, community members pay nothing, and the invitation names seasoned singers and beginners in the same sentence. Anyone in reach of a Thursday evening should take it. The limit is structural and no fault of theirs: one evening a week, shared among everyone present, so a beginner in a room of community singers collects corrections aimed at the room. Lessons take the problem from its individual end, at whatever age walks in.
The direction of the booking is worth noticing. The symphony's published calendar dates the one evening in the hall, and four preparation evenings lead up to it; the Chamber Singers ask for a minimum commitment of one full season before a single Sunday is sung; the college choir holds Thursday evening from 7:30 p.m. onward. In each case the institution sets the hour and the singer accommodates it. An hour you book yourself runs the other direction entirely - you name the time, and when the week goes wrong you move it without standing anybody up.
The Chamber Singers hold auditions twice a year, typically January and August. The next opportunity is months away, and it asks for a prepared piece, vocalises, range and timbre work and pitch recall. A first lesson has no window. It happens on a date you pick, with a song you already know and nothing prepared, and it repeats the following week should you want that.
A hall of 914 seats gives a singer something no rehearsal room can, and the four-to-one arrangement is a sensible way to build toward it. The published plan dates the move into that hall precisely once each time. Nothing in it dates the work on an individual voice, because that work has no venue and no season - it happens an hour at a time, wherever the singer happens to be sitting, for as long as it takes. The Gillette Chamber Singers have existed as a group since 1986. Your own hour can start this week.
.avif)
.avif)
