.avif)
Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Salisbury, North Carolina? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
.avif)
Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
.avif)
Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
.avif)
Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
.avif)
Carl
Singing student
<p>Asking what a lesson costs locally goes nowhere, because the printed numbers are admission. The Salisbury Symphony sold Messiah tickets at $22, $19 and $5 in advance. The Jubilee choir's Christmas concert is free with a free will offering. The Catawba Singers gave their concert without charge, and the December service required no tickets at all. Four generous prices, and every one of them buys a seat in the audience. Ours buys the hour instead. Lessons are quoted from $29, and the trial hour carries no fee.</p>
<p>What you believe about your own voice usually traces back to the last door you tried, and in this town the doors are built to different specifications. Catawba's condition is a course number: take the class first, then the private lessons open. Livingstone's Concert Choir is moving toward a formal audition, set to a touring standard. Its Gospel Choir has used a voice assessment - it sorts singers into sections and decides nothing else. Three conditions, three purposes, and only one of them even resembles a judgment on a voice. If your evidence comes from any of the other two, you have been reading an admissions rule as a verdict.</p>
<p>Two of Livingstone's arrangements sit side by side and point in opposite directions. The Gospel Choir carries scholarships for students who sing in it - an incentive to come in. The Concert Choir is moving to formal auditions under its new director - a standard to meet before coming in. Same college, same year, two different ideas about what should happen at the threshold. Neither is wrong, and neither is about a particular singer's age. The only condition an hour of teaching imposes is that somebody is listening while you sing, and that condition is met the moment it starts.</p>
<p>A choir founded in 1960 to sing at the weekly Wednesday prayer meetings gives you two useful numbers instead of one. A single season puts a program together. Sixty-six years of turning up every Wednesday do something else entirely, and the second figure is the one that describes how singing actually improves. Your own arc runs on the same principle at a smaller scale. Weekly attention compounds and occasional attention does not, so how close together the hours fall counts for more than how many there are. Nobody can name a date, and anyone who does is guessing.</p>
<p>Three things in this town carry a date. The guest appearance carries one. The concert on the 21st of November carries one. The December service carried one, with the words Note Location Change printed beside it. The fourth thing, the weekly rehearsal that makes all three possible, carries none that anybody publishes. A video lesson always carries one, because you set it yourself, and it carries the room with it. The audio holds a near-silent onset and a low note at full weight, and the recording keeps both after the hour ends.</p>
Do you have any experience?
The Jubilee Community Choir of North Carolina sings spirituals on Sunday afternoons at 4:00 p.m., and over one stretch of its calendar it sang in three buildings belonging to three different denominations: Soldiers Memorial AME Zion on North Church Street, Trinity Presbyterian on South Caldwell Street, Milford Hills Methodist on Statesville Boulevard. Kay Wright Norman directs and accompanies. The choir publishes no rehearsal address. That pattern repeats across Salisbury: the dated events are guest appearances, and the weekly work happens somewhere the calendar does not name.
Follow one group through a season and the shape is clear. The Salisbury-Rowan Choral Society, beginning its 116th year of performing music, rehearses Tuesdays at 7:00 p.m. at First Presbyterian Church on West Fisher Street - a borrowed room on a fixed night. Its concert has a date, Saturday the 21st of November 2026, and the announcement places it only at a local church in Salisbury, without saying which. Even the interim director's contact address belongs to a Methodist congregation. Rehearse as a guest, perform as a guest, and be reachable through a third house.
Livingstone College draws the distinction more finely than most places do. Its Concert Choir is introducing formal auditions under a new director, while the Gospel Choir has historically used voice assessments in place of formal auditions - a hearing meant to place a voice and not to judge it. The two procedures answer two different questions, and that is the point. Whether a hearing tells you anything about your own voice depends entirely on what it was set up to decide, and placement into a section was never set up to decide that.
Breath and tone belong together; stamina and the register handover belong together too. Tuning appears in neither pair; it settles once the four beneath it are steady, and comes last in the work. The Catawba Singers filled an hour-long concert with 63 student voices, joined for several selections by a church choir; blending at that scale asks all five of them from everybody on the risers. Alone with a coach the five come apart, so you work the one actually holding you up and leave the other four alone.
There is a question worth asking about what survives a change of address. Your coach does, being attached to you and to no building. Your written plan does. Your recordings do, filed where you left them. Your appointments do, because you set them and can move them. In a town where a college choir shifted an entire concert into a Lutheran sanctuary during a chapel renovation, and a December service carried the words Note Location Change, an arrangement nothing can displace is worth more than it sounds.
Everything with an audience attached to it here carries a time. Sunday at 4:00 p.m. for the Jubilee choir. The 29th of November 2026 at 7:00 p.m. for the Messiah. Between those dated appearances sits the weekly work, and that is the part nobody stamps: St. John's Lutheran on West Innes Street names a Chancel Choir, a Men's Chorus and a Women's Ensemble and gives a rehearsal time for none of them. A recorded lesson is stamped like a concert and private like a rehearsal, and the exact bar your coach corrected stays available afterward.
Livingstone College runs a Gospel Choir as a credit class with scholarships attached for those who take part, and its Varick Auditorium holds a choir room and practice rooms. The Prayer Meeting Choir there was founded in 1960 to provide music for the weekly Wednesday prayer meetings, and the campus still gathers every Wednesday at 11:00 a.m. for a service called I Need A Word. Catawba College's Omwake-Dearborn Chapel seats 1,000. The Salisbury Symphony has The Messiah in a church sanctuary on the 29th of November 2026 and Beethoven's Ninth at Keppel Auditorium the following May.
Where Salisbury states an age or a level, it states it as a prerequisite. Catawba's applied voice courses sit behind a class you must take first, so a rule set centrally governs the order for everyone. The Concert Choir at Livingstone is moving toward a formal audition. St. John's Men's Chorus invites men of all ages to join, having decided that nothing comes first. So the order runs: a course number, then a condition attached to it, then a place in a room. In a lesson the first two steps have nothing to do, because there is no second person waiting on them.
Only half of this calendar is public. The guest appearances are dated to the day and hour - Sunday at 4:00 p.m., the 21st of November, the 29th of November at 7:00 p.m. The weekly work behind them mostly is not: no rehearsal time for the Jubilee choir, none for three named choirs at St. John's, none published for the Gospel Choir. The Choral Society is the exception, and it prints one line: Tuesdays at 7:00 p.m., in a borrowed room on West Fisher Street, from the eighth of September to a concert in November. One dated line in a season - it is worth asking how many your own week could carry.
The question worth dropping is whether you are ready. A rehearsal wants a room somebody else has agreed to lend for the evening; a first lesson wants whichever room you happen to occupy. The entire logistical difference sits there, and it removes the part of starting that usually causes the delay - finding the building, checking the date, discovering that the address change was announced somewhere you do not read. The trial hour carries no fee.
A choir rehearses in a Presbyterian room, sings in an unnamed church and answers at a Methodist address. A college choir moves a concert into a Lutheran sanctuary. A service adds the line Note Location Change. Salisbury sings constantly and books its rooms one at a time. One hour needs no booking at all: a single coach attending to a single voice, on a schedule you set, in the room you happen to occupy.
.avif)
.avif)
