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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Oxford, Mississippi? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
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2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
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3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
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/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
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↓ You save $77.40 with a 6-month plan
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Do you have any experience?
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$29 opens the hour here, and the lesson you try before that is free. Oxford Park Commission shows what a published figure usually asks of a reader in attention: registration closes on 10/24/2026 at 12:00 PM, a minute you either meet or miss. A SIRIUS plan subdivides little after the fact. You are paired with a coach, you sing the trial hour, and the figure begins after it.
"I can't read music, and I'm not sure I can sing." Both halves are fair, and the Department of Music answers that half plainly: both music majors and non-music majors are required to audition for choir, so reading has not been the gate, hearing is. The second half is technique. Pitch you can trust, a breath that lasts a line, and a crossing between registers are trained things rather than gifts, and they traverse one route for whoever works at them. The Oxford Civic Chorus asks for no auditions. Your lesson turns up as the place both halves get worked on, one by one.
Oxford Park Commission prints a course as Ages 8 and Up. That is a lower edge with an open top, and a voice reads it in that way. A child of six or so can already steady a melody and start shaping it. Teenagers work through the register change while it happens rather than waiting it out. Adults come with the clearest idea of what they mean to sing. Your coach sifts the exercises to fit the age and the aim, and leaves the label to the form that needed it.
Oxford-University Transit asks riders to stand at the stop 45 minutes before a bus running at 30 minute intervals. The waiting is longer than the gap it covers. Weekly singing sits alongside that habit instead of competing with it: one hour, once a week, and the practice happens in the days between, not in a waiting line. Roughly a month in, the change becomes audible, with support and tuning ahead of range. A full season builds the stamina to carry a full concert set without tiring.
The Thacker Mountain Radio Hour fills eight slots on seven stations, then stops twice a year and runs encore presentations through the winter and summer hiatus. Even a broadcast keeps months in which no new hour is made. A video lesson has no hiatus, which is the practical answer to whether it works: it keeps going in August and in December, from whatever room you are sitting in. What it needs is a space you can sing in and a connection that holds steady. What it does not need is a journey.
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Rowan Oak takes $10.00 per person at its own gate and accepts cash, and it puts that condition on each of its four photography rates. The Oxford Civic Chorus collects dues through a web form, then prints a code that lets a singer hand the money over in the rehearsal room instead. Oxford Park Commission routes sign-ups through an outside platform, yet still gathers $6 per session at the table for bridge. What shifts between these three houses is not the size of the figure. It is where the counter stands.
Because a singer's opening question here is asked at a counter, not in a room. The Department of Music runs four choirs, from a 40 voice SATB Concert Singers to a 130 voice University Chorus, and the standing rule is that both music majors and non-music majors are required to audition for choir, with Women's Glee open to soprano and alto students. The Oxford Civic Chorus opens the other way round, with no auditions required and three opening rehearsals left open, then asks $50 per semester by the fourth. Two counters bound the choice. A SIRIUS lesson declares itself as neither, because the coach whose fee ignores the counter is the one you meet first.
Oxford Park Commission prints two head counts for each course, one to begin and one to stop: Minimum 10/Maximum 20, then 8 min/15 max, then 6 min/9 max. The lesson you pay for from where you are opens alongside that schedule rather than inside it, because an hour cut for a single singer has no lower number to reach. Your coach sets the pace against your range and not against a fee that shifts with the counter, and the plan shuffles when your voice does.
The audition for non-majors carries a printed contents list: sing 5-note descending scales that show your top and bottom range, in full voice, then a prepared selection or one of two named songs. A SIRIUS hour itemizes that ground without the door: the move from chest register up into head, breath that holds a line out, tuning under pressure, and a song you pick. The coach whose fee ignores the counter works on both, the scale you will be asked for and the selection you would rather sing.
Oxford-University Transit asks no bus fare to board, and its single promise about time is a margin rather than a clock: passengers are advised to be at their stop at least 45 minutes ahead of time. That margin is what a ride without a fare asks of a rider. A SIRIUS lesson yields that margin to the bus and then does without it, because the hour begins where you already sit and the point at which a fee changes hands is a screen. From $29 a lesson upward, with a free trial standing ahead of the billing. The plan stays where you can look at it later, and the lesson you pay for from where you are asks no margin of you.
The Thursday broadcast out of The Powerhouse reaches past its own room: eight slots across seven stations, plus encore presentations during winter and summer hiatus. The room empties, the hour keeps going. A SIRIUS lesson runs that test in the other direction. Each hour is recorded, so the passage you fixed on Thursday is still waiting when you practice alone, and the audio holds a sung line the way speech is usually held. The Music Class Fee is where the rule stops: one office sets it, another bills it, and no counter stands behind it. The other figures in this town get settled at one counter or another.
The Oxford Civic Chorus rehearses weekly on Monday evenings, with semesters beginning in August and January, and it meets at St. Peter's Episcopal Church. The Department of Music rehearses University Chorus, Men's Glee and Women's Glee from 12:00 p.m. to 12:50 p.m. on Mondays, Wednesdays and Fridays, and the Concert Singers from 2:00 p.m. to 2:50 p.m. Oxford School District placed 63 students in grades 5-12 in the 2025 Mississippi state honor choir, drawn from four schools under four choral directors.
Oxford Park Commission writes its age lines six ways on one page: Ages 4-9 yr olds, Ages 7-12 yrs old, Ages 7+, Ages 9-13, Ages 8 and Up, and 5-13 years of age. Beginners, returners after a long break, and singers working up the 5-note scale for an audition prolong one technique at different speeds.
Rowan Oak keeps two clocks and prints them apart, 10:00 a.m. to 4:00 p.m. Tuesday to Saturday and 1:00 p.m. to 4:00 p.m. on Sunday, with a summer order between 1 June and 31 July that runs an hour longer. A house has to choose its hours; an hour that sends you to no window does not. Lessons shift when your week shifts, by message rather than by phone call, and the point at which a fee changes hands stays put.
The chorus counts its opening in rehearsals rather than in days: three of them stay open, and payments are due by the fourth regular rehearsal of the season. A first lesson with no desk to find keeps no such calendar, and it runs on once the chorus has shut its books for the semester. Sing an hour, bring something you have performed before, and walk away with two things to practice. The school that takes its payment in one way paginates what you have seen; the desk where the payment is settled ends in that column, and that column is your own screen.
The Lyric Oxford prints doors and show as two separate times for its October run, Doors at 7:00PM / Show at 8:30PM on 1 October and Doors at 8:00PM / Show at 8:00PM on 9 October 2026, which on the second of those nights is the same minute twice. Singing lessons keep pace alongside such a calendar rather than waiting on it. The coach whose fee ignores the counter abbreviates little, and the desk where the payment is settled sits wherever you do.
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