

Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Norwich, Connecticut? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.

SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.

More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Nobody in this city publishes a price for an adult voice lesson. The nearest music school that teaches voice is in New London, runs September to June with rolling enrollment, and quotes by phone. What is published nearby is chorus membership rather than tuition: $110 a year for one ensemble in New London, $250 for another over the Rhode Island line. Those are memberships, not tuition - cheap per hour, and cheap for a reason: you get a conductor's attention on a section, on their night, every week for nine months. We sell the hour instead. The first one is free.
Almost anyone, and this city has a claim to the idea. Andrew Adgate was born in Norwich in 1762 and went on to found a school in Philadelphia that taught ordinary people to sing and charged them nothing to learn. He did not think it needed a gift. He thought it needed a school.
From roughly seven for children, kept short. The unsettled years are where guidance prevents the most trouble. Adults simply decide - though the choruses within thirty minutes of here mostly want a season's commitment before you have decided anything.
A month or so for breath and support. Reading well enough to carry your own part rather than lean on the person next to you takes longer, and depends far more on how often you practice than on how many months have passed. A solo ready for an audition panel is nearer a year of steady work.
Yes - and here it removes the two frictions that actually stop people. Every chorus within half an hour wants the same night every week from September to May, and the nearest music school that teaches voice will not quote a price without a phone call. A lesson is sold as an hour, and an hour survives a rotating roster.
Do you have any experience?
Andrew Adgate was born in Norwich on the twenty-second of March, 1762. He moved to Philadelphia, and in 1785 turned a small church-music society into the Free School for Spreading the Knowledge of Vocal Music - a school that taught ordinary people to sing and charged them nothing for it. He founded the Uranian Academy two years later and conducted the largest choral concerts America had yet heard - two hundred and thirty singers in 1786 - until he died in Philadelphia during the yellow fever epidemic of 1793, at thirty-one. A man born in this city built a school that taught singing to anyone who turned up and charged them nothing for it. No chorus is registered in Norwich itself today.
Because the singing is all in the next town and all of it asks for a season. Three separate searches of the federal nonprofit register turn up no chorus registered in this city. There are five ensembles at four organizations twenty to thirty minutes away, and every one whose entry requirements are published asks you to audition: the Anglican Singers in New London on Tuesdays at half six for a hundred and ten dollars a year, the Chorus of Westerly on Tuesdays at half seven for two hundred and fifty, and more on Mondays and Wednesdays. Read what they actually require and the same shape keeps appearing. One asks singers to commit to the entire performance season. Another requires a solid commitment from members to attend every rehearsal and performance. Those are reasonable rules for a chorus and impossible ones for a rotating roster - and this is a county built on rotating rosters. Mohegan Sun reported 5,180 employees at its Connecticut property in its last annual report to the Securities and Exchange Commission, roughly a third of them seasonal, part-time or on call - five miles and eight minutes from downtown. Foxwoods is fifteen minutes the other way and says openly that it operates around the clock. Electric Boat is building submarines in Groton and converting a closed shopping mall in Waterford into a campus where it expects up to five thousand people to work.
Notice which way the obstacle runs. It is not that these choruses are unwelcoming; several are excellent and cheap. It is that all of them are sold as a season and none of them is sold as an hour. The only format that survives a shift pattern is the one you can move.
Breath that holds a phrase to the end of it. A register change with no join. Diction that carries down a long church. Enough reading to walk into an audition rather than around it. And a prepared piece that sounds like a decision rather than an accident.
Name the music. A human being reads the list and assigns the teacher. First hour free, and no season to sign up to.
The engineering went into one thing: carrying a voice honestly across a distance. Nothing gets smoothed on the way. A gripped throat stays gripped, a breathy onset stays breathy, and both can be dealt with in the moment rather than described a week later.
Two names come up when people search for singers from Norwich and both are wrong. Arielle Dombasle was born in Hartford and raised in Mexico. Gordon Waller, of Peter and Gordon, was born in Scotland and died at the hospital here. The one that holds is Adgate. The city's other musical distinction is institutional and genuinely odd: Norwich runs no public high school of its own, because Norwich Free Academy - a private endowed academy founded in the nineteenth century - serves as the high school for this city and several towns around it, music program included. Downtown, the Spirit of Broadway is gone, but a sixty-seven-seat black box on Chestnut Street is very much alive, with Hamlet and Carrie the Musical on this fall. And the nickname holds: the Rose of New England.
Wherever the shift leaves you - downtown, Taftville, Greeneville, Yantic, or out in Preston, Montville, Ledyard, Bozrah and Lisbon - the lesson happens where you are, because it happens on a screen.
Look at the businesses that underwrite the region's chamber of commerce: two casinos, a submarine builder, a pharmaceutical company, an aquarium and a hospital. Two casinos that never close, a hospital that never closes, and an aquarium open every weekend - the nine-to-five is not the default here. Norwich grew by eleven percent between 2000 and 2020 and has held that level since: a working city, not a shrinking one. It also has more first-generation residents and more households running two languages than the region around it, and singing in a second language, or in a first one you were told to put down, is something a teacher can actually work on with you. A weekly fixed rehearsal is a real ask in a place like this. An hour you can move is not an ask at all.
Take the free hour. Sing something you are certain of and hear what a teacher finds in it.
Norwich gave the country a man who taught singing for nothing. It ought to be an easier place to begin than it is. Until it is, start at home, in Norwich.