.avif)
Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Maricopa, Arizona? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
.avif)
Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
.avif)
Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
.avif)
Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
.avif)
Carl
Singing student
<p>$29 is the starting point for lessons, and the introductory lesson ahead of it is free. Prices here belong to whoever publishes them: the city charges $12 a session for its senior ceramics class at the Community Center, a figure belonging to the city and not to us. We publish a starting point because the total depends on how long your lessons run and how often you take them, both of which you set. Nothing is bundled into a season you have to buy whole.</p>
<p>That sentence is usually a verdict passed by somebody who was never in a position to judge. Take a common reason for it. A singer reaches for a note above the place where the voice changes register, the handover has never been taught, and the note arrives thin or not at all - so the singer concludes the note is out of reach. It is not out of reach; the handover is untrained, and training it is ordinary work. In a full room it goes unheard, because the room covers one line. It is audible immediately to one listener.</p>
<p>A theater audition here opens at 16 and a leadership class at 18, because groups need cut-offs. A voice has none. The very young can start once they enjoy the noise, in short lessons. Teenagers gain a great deal from a teacher while the instrument itself is in flux, exactly when most people give up. No upper age closes the work off. The lesson gets built around the person sitting in it.</p>
<p>It depends on the thing you are working on, and the parts move at different speeds. Breath and stamina respond quickly, inside a few weeks, since both are largely muscle. Pitch steadies soon after, once the breath under it is dependable. A clean crossing out of the lower register takes a season to settle. Interpretation keeps opening out, the reason singers with decades behind them still book lessons. You will hear the earliest changes yourself before anybody comments on them.</p>
<p>Consider what booking anything here normally involves: for the city's classes a reservation opens at 5:00 a.m. the day before, claimed online, in person or by phone. Video teaching skips that machinery entirely - no window to catch, no waiting list, no room to be assigned. Sung sound is what the audio was built to carry, and a correction lands while the phrase is fresh in your ear. What the screen asks of you is a quiet half-hour and something to sing.</p>
Do you have any experience?
Three organizations in Maricopa publish the same week, and no two of them write it down the same way. The Maricopa Community Theatre posts an arc with both ends fixed months ahead: auditions August 10 to 12 at 7 p.m., call backs August 13 at 7 p.m., rehearsals Monday through Thursday from 7 p.m. to 9 p.m., performances October 7 to 10. Our Lady of Grace publishes an hour with no end at all. The city publishes its repetition one date at a time.
Look at what each one prints. The parish lists a 4 p.m. Vigil Mass on Saturday, then 7:30 a.m., 9:00 a.m. and 10:30 a.m. on Sunday, plus a Sunday Spanish-language Mass and a daily 8 a.m. - hours that simply recur, with no season and no rehearsal time attached. The city's course catalog does the opposite: of 98 listings, 79 apply to exactly one calendar day, so a single title such as Power 30 appears ten times under ten separate numbers. For the free group classes, reservations open at 5:00 a.m. the day before.
Each of the three belongs to a different organization, so the first thing a newcomer works out is which notation applies to the one they want. That is a scheduling problem, and it sits in front of the singing.
Ask when the rehearsal is and this town gives three answers in three formats. The parish publishes an hour without an end. The theater publishes a run with both ends nailed down. The city publishes single dates, each carrying its own number. None of the three was written with one voice in mind, since none of them is about one voice at all - each is about filling a room, a cast or a session. Your coach starts from the opposite premise.
Breath comes first, since everything else rests on it. Then tone, the part people assume they were born with and were not. Then pitch, steadier than anyone expects once reliable breath sits underneath it. Then stamina, built and never simply found. The register change is last here and slowest of all, because crossing from one part of the voice into another without an audible seam is coordination, and coordination gets rehearsed.
What you get depends on what you want. Deciphering somebody's calendar plays no part. Your coach is chosen and not assigned, matched to the material you actually intend to sing, and the two of you write down a plan you can check yourself against. Booking, moving or adding a lesson happens online in seconds, with no reservation window opening at 5:00 a.m. the day before. The trial hour is unbilled. Arriving in the wrong month disqualifies nobody.
The theater dates its October in August. A file dates a Tuesday evening in November, and you can open it again in March. That is the whole argument for recording a lesson: the sensation of getting something right disappears within the hour, and the evidence of it does not. Teaching travels over video on audio built for singing. Your workspace holds the drills and a short summary beside the recording.
Our Lady of Grace attaches a named leader to four published Mass choirs: Brenda Adamson on Saturday at 4 p.m., Charlie West at the 9:00 a.m. Sunday Mass, Ann Maidman with Zack and Christina Maloy at the 10:30 a.m. Lifeteen Mass, and Francisca Gralian with Irma Galvan at the Sunday Spanish-language Mass - four published choirs, with the parish inviting young people and adults to serve as singers and musicians. The same list marks the 7:30 a.m. hour as Silent Mass/No Choir, so even the hour without singing gets written down as an hour. The Maricopa Community Theatre, describing itself as creating theatre, building community, and sharing stories in Maricopa since 2010, casts its musicals by audition for actors 16 and up and offers a Bluetooth speaker to anyone singing to a track. Maricopa Springs Family Church names no ensemble but does name the repertoire: timeless hymns and contemporary worship songs. The city runs Concerts in the Park at Copper Sky Regional Park, free to attend.
Sixteen, sixteen, eighteen. Three numbers, and not one of them about a voice. A theater audition opens at 16; the city's group fitness classes set their minimum at 16 as well, with 40 places; the Citizen Leadership Academy at the library on Maya Angelou Drive takes 30 people aged 18 and up, Wednesdays from 6:00 p.m. to 8:00 p.m. between September 16 and October 14. Those numbers size a group. Teaching one singer needs no such number. The clearest case is the adolescent whose voice shifts between one month and the next: no bracket can follow that, and a teacher can.
The Copper Sky Multigenerational Center opens Monday to Friday from 5:00 a.m. to 10:00 p.m., Saturday 7:00 a.m. to 8:00 p.m., Sunday 7:00 a.m. to 5:00 p.m. The library runs Monday to Thursday 9:00 a.m. to 7:00 p.m. and closes Sunday. The theater rehearses Monday through Thursday evenings for the length of a production. Fitting anything around all three means reading three calendars that disagree about what a week even is. Online teaching sits outside all three. Of the four calendars, it is the one that reads your week rather than publishing its own.
If you cannot tell which of the three notations applies to you, begin with the one you write yourself. Nothing needs to be in season. There is no reservation window, no audition date already gone, no cast list to wait on. Sing a piece you know, to one person, all the way through. You leave with a sentence about your own voice that nobody in this town has yet written down for you. It can happen this week instead of next August.
Three calendars, three ways of writing down the same seven days: a run with two ends, an hour recurring without a season, a chain of single dates, each numbered on its own. Each belongs to an organization coordinating a lot of people at once. Yours is not a lot of people. It needs one hour, set by you, repeated often enough to matter - one entry in the week that answers to you.
.avif)
.avif)
