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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Jamestown, North Dakota? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.

SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.

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Do you have any experience?
Ours is a starting figure and not a flat rate. Teaching begins from $29 a lesson here, and the trial that precedes it carries no fee. Saying starting matters, because a beginner and someone preparing a recital want different work from the same coach. One coach, one singer, a plan on paper and audio you keep - that is the same package at either end of the scale. Price here answers one question, and it pushes the moment of decision back to you.
Most people who say this are describing an untrained voice. Tuning, support and the move between registers each answer to training, and an opening sitting locates whichever is costing you the line. Your coach names it plainly and sends you home with two things to practice. Entry turns over on one word at the campus here: the University of Jamestown hears Concert Choir singers in the Fall, and describes Vox Angelus and Cantus as not auditioned; what a group asks beyond that is not written down.
Age is no obstacle in either direction. Small children work through games and short tunes; teenagers go on while the instrument shifts beneath them; adults bring years of listening. Two Rivers Performing Arts School publishes an age floor of 15 and above on one course and prints no floor under Voice. The exercises are cut to the voice actually present. Formal qualification trails off as a question.
Your starting point and your repertoire both count, but a change usually becomes audible inside two months of steady work. Support tends to move first, tuning next, the register crossing last. Your coach records the change lesson by lesson, so you hear it happen rather than trust it. When you are ready to be heard, this town makes room: sung evenings announced by the University of Jamestown went out in spring 2025 under the words Admission is free. The Jamestown Choralaires bank on another route, though, selling advanced reserved seating for their own night at The Reiland Fine Arts Center through a named shop in town, Looysen I Care, on 701-320-0639.
Online teaching holds up, and the equipment matters more here than the platform. Microphones and video are set for held tone, so a sustained note arrives sustained. Recordings, drills and written summaries live in your workspace, which sharpens the work between sittings. Each sitting caps off with a note of what comes next.
Do you have any experience?
The Reiland Box Office at the University of Jamestown runs two ticket categories and prints a figure for neither. Its request form names them plainly - No. of UJ Student/ Faculty/Staff Tickets and No. of Public Admission Tickets - and lists seven dates across three titles: Moon Over Buffalo on three, Romeo and Juliet on three, An Evening of One-Acts on the seventh. Each of the three is a spoken play. The form sits among the drama pages of the university's site, while the concerts the same university announced for spring 2025 went out under the words Admission is free.
The SIRIUS Music School attaches a figure to its teaching and says what the figure covers, which is a different habit from the one the box office on the University of Jamestown campus keeps. What the box office there lists, it lists as drama. What the same house has sung has gone out without a figure and without a seat request from that box office - the Spring Choir Concert of April 2025 was not even held in that building, but at Trinity Lutheran Church on 4th Ave. SE. Why does a house keep a desk for one art form and let the other break upward without one?
Whoever opens the song in a choir is one line inside a texture, and that is a real pleasure with its own discipline. The University of Jamestown runs three named choirs and states the entry rule for each: Concert Choir listens to singers in the Fall or by special appointment, while Vox Angelus and Cantus take members without that step. Where a group can take you on those terms, the group sets the terms. Where the lesson is yours, the phrase that gives way early takes root as the thing you work on that day.
Pitch, air and the crossing between registers can be taught, and most first sittings are spent finding which of the three is costing you the line. Two Rivers Performing Arts School on 1st Ave S. publishes what Voice covers: Sight-singing and basic music theory are included in the instruction, Beginning through Advanced levels. The same school makes a music proficiency test a condition of Music Production and Live Audio and of Music Theory and Composition, and asks for no test under Voice. Your coach builds around the music on your stand, so a hymn and a show tune take different routes to one foundation. Which subject carries a test at the door and which one shades off into a plain sign-up?
Our teaching starts from $29, and you try a lesson free before deciding. One kind of paper states a number and leaves you to discover who qualifies for it; the other states what you get and keeps the qualifying short. The coach listening closely works from the music you brought in, writes the plan where you can re-read it, and records the sitting. You are not asked to declare a major, a residence or a year of birth. That is where a booking desk cuts in and where ours stays out of the way.
The Jamestown Civic Center at 212 3rd Ave NE measures its main arena to the inch: 96 feet 6 inches wide and 177 feet long. A lesson is not measured in feet, but in what the microphone carries. Video and microphones are configured for held tone, and what the sitting produces waits in your workspace: audio, drills, a short written summary. A recorded sitting leaves Tuesday's discovery available on Thursday, and the week between them runs flat.
The Jamestown Community Women's Chorus calls itself a volunteer community choir, and holds its Monday rehearsal at The Arts Center, 7:00 p.m. to 8:30 p.m. That house at 115 2nd Street SW is run by the Jamestown Fine Arts Association. The University of Jamestown announced four concerts for spring 2025 - a Spring Chamber Ensemble Concert on Sunday, April 13, a Spring Choir Concert on Tuesday, April 15, a Jazz Ensemble Spring Concert on Wednesday, April 16, and The Suite Sounds of Summer on Sunday, April 27 - and each was announced with the words Admission is free.
The University of Jamestown states that a choir place there is open without a music major, which settles one question at one address. Two Rivers Performing Arts School sets an age floor of 15 and above on Music Production and Live Audio, and prints no floor under Voice. Children start young through play, teenagers keep going while the instrument shifts under them, and adults arrive with a song and a reason. A lesson peels away the qualifying and starts from the voice that walked in.
The lesson set for today moves when your days move, and you hold the slot by asking for it. Two Rivers Performing Arts School counts three excused absences per trimester and defines one precisely: the instructor, not the school, must be told by 12:00 p.m. on the day of the lesson. Rules like that exist because a room and a fixed schedule are physical things. So an online lesson squares off against a smaller set of obstacles.
Booking needs a name and an evening you can keep. Sing one thing you know, then listen: where the voice sits easy, where it gives out, and two changes worth making. That opening description's job keeps station with what you can actually hear.
At the university's hall a desk stands behind the spoken evenings and an open door behind its own sung ones, and a singer reads that as an invitation. Three named choirs take members at one campus, two of them without hearing an audition first. A community chorus gathers at The Arts Center each Monday evening. A school on 1st Ave S. teaches Voice from Beginning through Advanced levels and asks no test to start. By the time you have sung once in one of those rooms, the question of whether you belong there settles low.