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Real published numbers exist here, which is unusual, so here they are. Music Box on West Poplar Avenue charges $199 a month for a weekly thirty-minute private lesson this year, $159 a month for the group format, plus a one-time $40 enrollment fee. In Memphis, the Music Academy publishes $150 a month with a $40 trial and a $25 annual registration fee, and the conservatory attached to Second Presbyterian charges $385, $560 or $770 a semester depending on lesson length. Three other Collierville and Germantown providers teach voice and publish nothing, so call them. For our part: the number comes first, and the trial lesson costs nothing.
Anyone can learn. What varies is what a given room asks of you at the door, and around here the range is wide. The choir at Bellevue says plainly that not everyone in it reads music. The handbell group at Collierville United Methodist says no audition is necessary, though a basic understanding of music helps. Go one step up and the picture changes: the Memphis Symphony Chorus wants the national anthem unaccompanied plus sight-reading, and Opera Memphis asks for two contrasting songs from memory, one of them usually not in English. Nobody is testing whether you have a gift. They are testing skills, and skills are taught.
Most children are ready somewhere around seven, in short bursts, and the serious work begins when the voice has finished shifting. Adults have no upper limit. One thing specific to this town: the singing here is largely organized by congregations, so what is on offer depends on a rehearsal night you did not choose.
Breath goes first, and it shifts before anything you would call singing does. Getting a number performance-ready is a matter of months. The slowest thing to arrive is reading - sitting down with music you have never seen and keeping up - and that tracks hours of practice, not length of enrollment.
Yes, and in Collierville the geography settles it before anything else does. No fixed-route bus service comes to Collierville - MATA's easternmost route ends at Poplar and Exeter in Germantown, several miles outside the town line - which means every option beyond the town assumes a car and a parking space. Then look at the calendar: the choirs and choruses in Collierville and the towns around it cluster onto Tuesday, Wednesday and Thursday evenings at 6:00, 6:30 or 7:00 p.m., weekend options are scarce, and the one daytime group we found is restricted to singers over sixty-five.
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There is an adult chorus that rehearses inside Collierville every single week, and its own governing body files it under the wrong town. The RSVP Chorus meets Thursdays from 6:30 to 9:00 p.m. at Collierville United Methodist on West Poplar Avenue; the Barbershop Harmony Society's district roster lists it as Germantown. It was booked to sing at the Morton Museum in late August. Joining is not casual - three rehearsals, then a quartet audition, three attempts inside three months, plus paid membership of the national society - and it takes men only. But it is here, it is weekly, and almost nobody looking for it would find it.
Because two different kinds of door open here, and only one of them opens by itself. Some are simply open: Collierville United Methodist rehearses its chancel choir on Wednesdays from 6:30 p.m., the First Baptist choir meets weekly at 6:00 p.m., and the Friday bluegrass jam on the Town Square from April through October asks nothing of anyone. Central Church rehearses its choir on Wednesdays at 6:00 p.m. and asks new singers to fill in an audition form on its website. Others are gated, and the gate arrives all at once. The Collierville Arts Council auditions for its musicals at the 350-seat Harrell Theater - Damn Yankees goes to auditions in early January. Memphis ChoralArts wants ten minutes of you: warm-up, sight-reading, and a minute of unaccompanied solo. That gap between showing up and being heard is what lessons are for.
Every group named above has somewhere to be on a Sunday or an opening night. A choir director is building a section; a musical director is casting a show. Neither has an hour to spare on why your voice thins above the staff. That is no complaint about either of them. It is simply a different piece of work, done by one person, for one voice.
Breath, before anything, and for longer than people expect. Then a passage across the break that behaves itself at 8:30 on a weeknight, a sound big enough for a full sanctuary with no shoving in it, and reading that makes Wednesday something to look forward to. And if what you are working toward is an audition at the Harrell in January, that is a defined job with a date on it and it gets planned backward from the date.
No semester, no standing order, nothing that quietly rolls over. The cost is on the table first, the trial hour carries nothing, and a week that goes wrong gets rebooked rather than lost.
Set up so the teacher hears what you actually did. No sweetening, no generous acoustic, no tidying in transit, because a problem has to be named where it happened rather than two bars later.
The Town Square is the real thing here, and it works. From April through October there is an open bluegrass and old-time jam on the Square every Friday at 6:30 p.m., free, no audition, and more than twenty-five years old. In June and July the Main Street concerts run Thursdays from 7 to 9 p.m. In February the Morton Museum hosted a round of Tennessee Songwriters Week - fifteen slots, eighteen and over, and the statewide event finishes at the Bluebird Cafe in Nashville. The town also keeps a registry of local musicians. The nearest near-miss on the celebrity front is Julien Baker, who was born in Germantown and raised in Bartlett and has nothing to do with this town. Collierville's music is participatory rather than famous - a theater with more than a hundred and fifty productions behind it since 1987, a songwriting heat that feeds the Bluebird, a jam that has run more than twenty-five years - and for anyone who actually wants to sing, that is the better of the two.
Collierville, Germantown, Piperton, Eads, Rossville, Arlington, Bartlett, Cordova - all of those are inside the same hour, and Poplar Avenue never comes into it.
Two facts shape the week here more than anything else. First, this is a driving town in the strictest sense - no fixed-route bus service comes to Collierville, and MATA's easternmost route ends at Poplar and Exeter in Germantown - so every rehearsal costs a round trip and a parking space before it costs anything else. The FedEx presence here is worth getting right too, because people conflate it: the Collierville campus is the World Tech Center, roughly 2,400 people doing technology work, and the night sort everybody pictures is out at the airport on the other side of Memphis. Second, the nights are stacked. Count the ensembles in Collierville and the towns around it and they land almost entirely on Tuesday, Wednesday and Thursday, starting at 6:00, 6:30 or 7:00 p.m., which is the stretch of evening most people are still finishing something. One more thing worth knowing about the Catholic parish on Bray Station Road: its Spanish-language Mass on Sunday afternoons at 2:00 p.m. is the only non-English worship we could verify inside the town line. Meanwhile the town's own senior center publishes its activity list down to the hour of the dominoes game and no choir appears on it, and the town's education program offers no music class of any kind. What is missing here is not enthusiasm. It is a slot.
Take the free hour. Bring nothing at all and sing the first thing that comes into your head.
A barbershop chorus that has been meeting on West Poplar under another town's name, a 350-seat theater that auditions in January, a Friday jam on the Square, and a ring of church choirs and choruses that pile onto Tuesday, Wednesday and Thursday. Collierville sings. What almost nobody here publishes is what an hour of one-to-one work costs. Start there, at home, in Collierville.
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