.avif)
Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Coeur d'Alene, Idaho? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
.avif)
Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
.avif)
Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
.avif)
Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
.avif)
Carl
Singing student
No Coeur d'Alene studio publishes a private voice rate we could confirm. The one conservatory in town keeps its rates behind a registration portal, and the sites that do show a Coeur d'Alene average are national templates with the city name dropped in - so we will not quote a local number we cannot stand behind. Two institutional prices do check out. North Idaho College runs applied voice as a half-hour lesson each week, two credits, about three hundred and eighty-four dollars in-district, plus an applied-music fee the college does not publish anywhere - its catalog says only that special fees apply, so call Cardinal Central on 208-769-3311 for the figure before counting on it. Over-sixty non-degree students pay twenty-five dollars a class plus five a credit; ask whether that rate reaches applied music. And the summer theater's training institute runs a ten-week adult session at three hundred and ninety-nine dollars. Our price arrives ahead of any commitment, and that opening session is not billed.
Anyone can learn, and there is a room in this town that says so outright. The Wednesday choir at Community United Methodist on West Hanley states that anyone who loves to sing is invited to join regardless of music reading ability or prior experience. It costs nothing, and it is in the same building as the Monday a cappella chorus. Neither of them, though, hands you sixty minutes that belong to one instrument.
Children can begin at seven if you keep it brief, and then in earnest as the voice changes. Adults face no ceiling, and the local arithmetic is unusually kind: roughly a fifth of this city has passed sixty-five, and the college charges over-sixties twenty-five dollars per class plus five per credit for non-degree classes. A place in the college chorale works out at roughly thirty dollars for a semester on that rate, plus any course fee, and it is essentially unadvertised.
Support shifts inside a month. A piece you can deliver whole, with people watching, is months of work. Reading quickly enough to pass the ten-minute screening the local chorale actually runs - warm-ups, range, a familiar song of your own, tonal memory, sight-reading - takes longer, and it answers to hours logged.
Yes, and the bus timetable is the reason. Citylink's three city routes run weekdays from six in the morning to seven at night and Saturdays from nine to four, and none of them runs on Sunday. The groups that start at six or half past six run on to eight or nine, so the last bus goes before they finish; only the Wednesday choir starts early enough for the bus to be any use, and even then you are watching the clock on the way out. The transit authorities do not connect across the state line either - Spokane's runs no Idaho route, and the pilot everyone cites was still recorded as not started in late 2025. Put a tourist summer and a ski winter on top of that, and a fixed weeknight running September to May becomes a hard thing to promise.
Do you have any experience?
North Idaho College's course catalog says one thing about the Cardinal Chorale that almost nobody in this town has read: choir membership is open to college students and area residents. Not students only. Residents. In-district tuition and fees put a single credit at about a hundred and ninety-two dollars, and it is worth checking you count as in-district, because the college publishes a separate in-county rate at two hundred and twenty-six. Pass sixty and the charge for a non-degree credit class is twenty-five per class plus five per credit, which brings a semester in a college choir down to roughly thirty dollars plus any course fee. In a city where one resident in five is past sixty-five, that is the cheapest way into a directed, rehearsed choir in the county, and it is buried in a catalog nobody outside the building opens. The college, for the record, is accredited by the Northwest Commission on Colleges and Universities.
Because the local scene is genuinely crowded and every door into it is on a different night. Chorale Coeur d'Alene, over a hundred and thirty voices, sang at Carnegie Hall this Memorial Day; it rehearses Tuesdays from half past six at Peace Lutheran, auditions properly - a ten-minute screening covering range, a familiar song of your own with a hymnal there if you want one, tonal memory and sight-reading - and charges sixty-five dollars a semester, free to students of sixteen and over, with need-based scholarships. The Coeur d'Alene Chorus - women's barbershop, part of SingUnited International, which most people here still call Sweet Adelines - meets Mondays from six at Community United Methodist on West Hanley, and you can drop in on any Monday. The Lake City Harmonizers, mixed voices, meet Tuesday evenings at the Bell Tower chapel over in Post Falls; dues were reported at two hundred and seventy-five dollars a year back in 2024 and the chapter publishes no current figure, so call and ask. Note the name, too: a search for a Coeur d'Alene barbershop chorus turns up the women's Monday group and stops there, because the mixed chapter is filed under Post Falls. And in the same building on Wednesdays at half past five, Community United Methodist runs a church choir that asks nothing of anybody: no audition, no reading, no fee.
The chorale's screening is the honest measure of the gap. It is not a hostile audition - it lasts ten minutes and needs no special preparation - but it does ask you to match pitch, hold a line and read a little, and those are learnable skills rather than gifts. An evening with a hundred and thirty other people is not where they get learned.
Breath, first and for the longest. Then a register change that survives a heated room in February and a long shift, tone that carries in a Lutheran sanctuary without force, tonal memory, and enough sight-reading to face a ten-minute screening without dread. If a barbershop tag is what you are after instead, that is ear training and it is a different and equally teachable job.
We work week by week, so a roster that changes does not cost you a term's fees. The price is agreed up front and the trial session is not charged.
Everything is arranged so your voice lands at the far end untouched. No polish, no forgiving acoustic. A teacher hearing precisely that can name the problem while the sensation is still in your throat.
Coeur d'Alene does have a singer on the charts: Gabriella Rose grew up here, and her single Madeline reached number sixty-two on the Billboard Hot 100 in 2025. But a hometown name is not really the useful thing, and the two great voices of the Inland Northwest belong to Spokane anyway - Thomas Hampson grew up there, Bing Crosby was raised there from the age of three, and Patty Duke lived in Hayden and died here, which is a residence rather than a hometown. What this city has instead is infrastructure, and rather a lot of it: a professional summer theater running since 1967, which bills itself as Idaho's oldest performing arts organization, pays every role it casts, opens its audition process in early November and auditions in town in January for a season running from early June to mid-August; a symphony founded in 1980; a conservatory with two dozen faculty working out of a 1908 mansion on the National Register; and a college choir whose catalog entry says in as many words that it is open to area residents. That is a crowded scene for a city of fifty-eight thousand, and the useful thing is not a celebrity name. It is knowing which door opens on which night.
Coeur d'Alene, Post Falls, Hayden, Rathdrum, Athol, Spirit Lake, Kellogg, Sandpoint - an hour arrives at any of those, January included.
The seasons here pull in opposite directions, which is unusual and worth planning around. The theme park north of town draws eight hundred thousand visitors, runs from May to late October and is shut all winter. Then three ski areas create a second peak from January to March. The genuinely slack windows are November, and April into early May. Meanwhile the summer theater's contracted season runs the fifth of June to the nineteenth of August, which is the exact inverse of a September-to-May choral year. Add the housing arithmetic - a median household income near seventy-two thousand set against a median home valued at four hundred and eighty-three thousand, close to seven times income - and the shape of the year matters more here than it would elsewhere. A lesson that shifts week to week is built for a calendar like that.
Take the free hour. Nothing prepared and no sheet music - just whatever you sing when the truck is warming up.
A college chorale whose own catalog says it is open to area residents, a free Wednesday choir that asks nothing at all, a barbershop chapter filed under the next town along, and a bus that stops at seven. The singing here is not scarce. What is scarce is an hour that fits a season. Start at home, in Coeur d'Alene.
.avif)
.avif)
