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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
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Want to learn to sing and looking for a vocal coach in Clermont, Florida? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
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Carl
Singing student
<p>A season in the community choir costs $100 and runs until May - a group, one evening each week. A studio in town sells a weekly half-hour, voice included, at $152 a month. At SIRIUS billing starts at $29, and it buys a whole hour of one-on-one; the trial hour costs you nothing. Against the minutes each of them buys for a single voice, the three separate out: half an hour a week, a full hour a week, and, in a choir, one evening divided among everybody present.</p>
<p>Ability is a thing with dates attached, and it keeps moving in both directions for anyone who uses it. In August the schools' arts staff sat as students in a session the society had organized. The people who lead a children's choir on Thursday evenings have careers behind them, and a career is a run of dated stages and not a fixed quantity. The community choir's own condition says nothing whatever about ability, only about turning up: attendance at weekly rehearsals. Whatever verdict you passed on your own voice also has a date on it, and that date is older than you think.</p>
<p>The young end here is settled clearly. Children Sing! takes sevens to elevens on Thursdays from 6:00 p.m. to 7:00 p.m., without auditions, led by three teachers who have spent careers with children's voices. Nothing in that hour depends on talent being visible yet. At the other end the adult choir opens at fourteen and sets no upper limit, and the parish runs groups for "beyond High School age". Lessons need none of those brackets, because a coach adjusts to whoever arrives. A lesson needs one voice and one person paying attention to it.</p>
<p>A day of professional development changes what a teacher does the following week. A year of steady singing changes what a voice is able to do. Those two run at completely different speeds, and only the first has a date attached to it. A number is not available here; a direction is. The direction is that the early changes come out of repetition and the later ones come out of attention, and both keep arriving while the work continues.</p>
<p>In August a room full of music teachers learned something there, and the room was not what they carried out of it. What did transfer was this: a way of hearing a phrase, a correction that can be repeated at home, the habit of listening to one line at a time. None of that needs a shared floor. An online lesson delivers those things and records them, so the correction survives the connection and the week after it. Your coach hears where the seam between registers gives way and where the breath ran out underneath it. The building was never the transferable part.</p>
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In August 2026 the volunteer society that runs Clermont's open-door choir put on professional development for the art and music teachers of the county's schools, alongside Cicely Bosley, who holds the curriculum post for the county schools; a second round was set for September 18. The direction there runs the wrong way round: the amateurs convened the professionals. And on Thursday evenings it reverses again - Children Sing! is led by three veteran elementary music teachers, Rachel Robertson, Debbie Fahmie and Erin Nesslage. Who counts as the beginner here is not obvious from the room.
Lake Community Arts calls itself brand-new, in its inaugural season, and states its entry condition in one line: "no auditions, just a passion for music!" Its adult choir meets Tuesdays from 6:30 p.m. to 8:30 p.m. in the Black Box Theater, $100 for the entire session, open to everyone ages 14 and up. Its children's choir, sevens to elevens, meets Thursdays from 6:00 p.m. to 7:00 p.m. And its officers speak of the schools as partners: Leland Theriot, LCA President, calls the society "committed to partnering with our teachers in the fine and performing arts".
Three experienced music teachers stand in front of a room of seven- to eleven-year-olds on Thursday evenings. An hour shared among a roomful of children is still an hour shared. The children learn the music, and they learn it well. None of the three can hear one child's breath give out in bar nine, say so, and repair it before bar ten arrives again.
Bar nine will do as an example. The breath that should have arrived before it did not, so the tone thins across it, and the stamina to carry the line through to its close was never there to begin with. Tuning slips a shade flat because the support went. And if bar nine happens to sit on the seam between registers, what should be a corner becomes a wall. Five subjects, one place in the music, and the order of work is whatever that bar demands.
If that teachers' workshop had carried a slide on what one-on-one adds, it would read roughly like this. Hours you set yourself and move yourself, online. A coach assigned with your own repertoire in view. Each hour comes back to you as a recording you can reach. Plus a written plan. The trial hour costs you nothing, so the list can be tested against reality before any of it is paid for.
In August the society ran the teaching for the county's art and music staff. Anyone who has sat on both sides of a lesson knows what it is worth to go back to the exact moment. Each SIRIUS hour gets recorded and kept alongside the exercises and a short note, and the sound is engineered around a singing voice instead of a speaking one. You can listen back as your coach listened, and then hear what she did about it. Passing something on works no other way.
The Arts & Recreation Center on South Highway 27 belongs to the city and holds the two rooms that matter here: a main stage with a maximum capacity of 1,100 chairs and a black box seating 193. On October 22, 2026 at 7:00 p.m. that main stage gives up to twelve teenage acts a live audience, staged by Thrive Clermont "in partnership with the City of Clermont and Landi-Lou Talent Agency". Blessed Sacrament on 12th Street lists seven vocal groups, of which the Schola Cantorum rehearses Mondays from 6:00 p.m. to 7:15 p.m. and sings at noon on Sunday. St. Mark A.M.E. on Disston Avenue was founded by the family of James and Sallie Townsend, who arrived in 1887; their house, built around 1895, was moved into the Historic Village in 2002 and opened to visitors in 2005.
Follow a singer up the ladder here and the carrier changes underneath them. Thursdays from 6:00 p.m. to 7:00 p.m., sevens to elevens belong to the society's children's choir. From fourteen upward, on Tuesday evenings in the same building, the same society's adult choir takes whoever comes, "no qualifying auditions", provided they come every week. In the parish the brackets fall differently again: K through 8 in one choir, "High School age or older" in two others, "beyond High School age" in two more. Between one bracket and the next, the terms change along with the carrier.
Whether a rehearsal happens on a given Tuesday depends on who else has the room. The choir's home is a city building whose calendar carries tribute acts, a comedy show and a talent showcase, and whose own program page lists swimming courses. The society announces its rehearsals through the city's calendar entry, not on its own front page. The building's own program page, meanwhile, offers swimming courses and nothing musical at all.
In August a roomful of school arts staff sat and were taught, with the county's curriculum office present. A first singing lesson looks like that from the outside, with the roles swapped: one person brings the material, another brings the questions, and by the end somebody knows something they did not know at breakfast. The material a first lesson works on is a voice its owner has had all along.
A society of amateurs convenes the county's music teachers; three veteran elementary music teachers lead its choir of seven- to eleven-year-olds; that choir sings in a hall the city owns. Carry the sequence one step further and it arrives at a single voice, which is where the whole chain was pointing. The step that closes the circle is an hour whose only business is your voice. On Thursday evenings the circle already has a seven-year-old standing in it.
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