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We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
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Want to learn to sing and looking for a vocal coach in Burlington, Vermont? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
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Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
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Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
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Reckon on $50 to $90 an hour locally, more for teachers with conservatory training behind them. Our opening session carries no charge, which puts the comparison where it belongs - on the person, not the rate.
Yes, and this is a town that has proved it since 1976, when the South Burlington Community Chorus started taking members without any audition at all. Fifty years of that policy is a reasonable answer to the talent question.
Around seven for a first lesson, kept short. During the change a teenager does better with a knowledgeable ear close by than with a year of silence. Adults face no ceiling whatever, and in a college town they turn up at every age.
Eight weeks and a recording of you is a different recording. A year and the room is different. What comes next is slower and finer, and it is the reason people stay.
They do. Precise listening one way, something to copy the other - a good connection handles it. From January to March that argument rather makes itself.
Do you have any experience?
Burlington runs six miles along the eastern shore of Lake Champlain and rises about three hundred feet from the water. With roughly forty-four thousand residents it is Vermont's largest city, though only just over twice the size of South Burlington next door; the wider metropolitan area holds around two hundred and twenty-nine thousand, close to a third of everyone in the state. The medical center and the university between them employ more than twelve thousand people, with software, snowboards and tourism filling in behind. Montreal is about a hundred miles up the road.
Because a place this size has no business offering this many doors into singing, and several of them have no audition behind them. The South Burlington Community Chorus has taken members without auditioning them since 1976 and rehearses Tuesday evenings. The Green Mountain Chorus, singing barbershop since 1947 out of Essex Junction, opened its membership to everyone regardless of gender in April 2025 and invites visitors to sit in. Above that sit the auditioned groups: the Burlington Choral Society, also founded in 1976 and marking its fiftieth anniversary this year; the Vermont Symphony's hundred-strong volunteer chorus, which hears new singers each fall; the Vermont Choral Union, going since 1967; and Bella Voce, a women's chorus formed in 2004. The cathedral choirs are their own argument - St. Joseph's alone runs six, among them Vietnamese, Congolese and Burundian ensembles.
Standing in a chorus of a hundred is one of the great pleasures available to an amateur and one of the worst places to have a fault corrected, because the person in front is shaping a blend rather than examining you. What moves a voice is the hour where yours is the only one in the room and where the plan comes out of what was actually heard.
Breath goes first, because it decides what every layer above it is capable of. Then tuning that survives with no neighbor's ear to borrow, a join between registers that nobody can hear happening, and stamina enough for a whole program. Text, color and intention are added at the end and are what an audience takes home with it.
The cathedral downtown starts its choristers as novices in the second grade and promotes them by achievement; this is the same idea at single-singer scale, with a person deciding which teacher fits you. The introduction is free. The hours are yours, and so is rearranging them.
A voice crosses the wire as sound and almost nothing else, which is why the sound got built first. An entry arriving a shade flat, a line that empties a syllable too soon - the teacher hears both as they occur rather than in a summary afterward. Recordings and exercises are there whenever you want them again.
Phish formed at the University of Vermont in 1983 and played their first show on the second of December that year in the Harris Millis cafeteria. Nectar's, the Main Street club where they held an early residency and after whose owner they named A Picture of Nectar, closed permanently in 2025 after fifty years - worth knowing, because half the guides to this city still send you there. What remains is substantial. The Flynn opened in 1930 as an Art Deco picture house, was restored in 2000 and seats 1,439 on its main stage. Higher Ground, going since 1998, books more than three hundred shows a year. The Discover Jazz Festival has run since 1984; the 2026 edition was curated by the pianist Jason Moran, most of it was free, and forty-four school bands played on Church Street. That street has been a pedestrian marketplace since September 1981, and busking on it is licensed rather than casual - you submit a video of your act. Grace Potter, raised in the Mad River Valley rather than here, founded the Grand Point North festival on the Burlington waterfront in 2011.
Ours come from the Old North End and the New North End, from the South End and the Hill Section, and from Winooski, Essex Junction and Colchester.
Hospital rotations, a semester that redraws the week twice a year and a February that turns any committed drive into a gamble all count against a standing slot across town. An hour beginning in the room you are already sitting in does not consult the forecast.
Book the unbilled hour. Sing something you know by heart and find out what ten minutes of trained attention turns up in it.
Forty-four thousand people and a dozen ways to sing in public: this is not a city short of stages. What it is short of is an hour in which one person listens to nobody but you. Start that at home, above the lake.
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