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Do you have any experience?
We match you with the perfect vocal coach for your goals, so you can learn to sing conveniently online - singing lessons with no waiting time. Right after signing up you get a no-obligation trial-lesson slot via WhatsApp.
After your free trial lesson, discuss your goals and availability with your vocal coach and start learning to sing right away.
Book your singing lessons flexibly online. In the SIRIUS Workspace you get unlimited access to vocal exercises outside your lessons, so you can keep practicing at home with our tools.
Want to learn to sing and looking for a vocal coach in Binghamton? We work with SIRIUS-vetted vocal coaches. Based on your needs we match you with the perfect vocal coach - whether you are just starting to sing or looking for singing lessons for adults or kids. Want to work on your intonation, improve your head voice or explore breath training? Sign up for our free trial lesson and get a session proposal with your perfect vocal coach.
Our experienced vocal coaches help you unlock your full potential. Our technology, built for online singing lessons, guarantees excellent sound quality and lets you learn to sing from anywhere - with no extra software or download.
SIRIUS gives you personal singing lessons tailored to your needs - from finding a coach to payment, everything runs smoothly through our platform. Whether you want to add lessons or reschedule, it all works effortlessly online through our booking tool. You can even rent a keyboard to accompany yourself while you sing.
Learn the fundamentals of music theory, expand your vocal range and develop your sense of intonation - whether you want to sing pop, jazz, opera, rock or metal. These voice lessons and vocal lessons always meet you at your level.
SIRIUS gives you not only professional singing lessons but exclusive access to a digital Workspace that makes learning to sing more efficient and structured. In the SIRIUS Cloud you find all key materials and targeted vocal exercises from your vocal coach - available anytime in one place. Lessons can be summarized automatically, and you can access recordings of your sessions to track progress and work on your vocal technique.
Alongside one-on-one lessons you can join monthly group sessions to connect with other singers, try new vocal exercises and get valuable feedback - so you benefit from individual coaching and the energy of the community.
More hours = a better price per hour. Every plan: 45-min one-on-one lessons with vetted teachers.
Perfect to get started.
/hour
/hour
2 hours / month
$80.10 / month
$89.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $53.40 with a 6-month plan
For lasting progress.
/hour
/hour
3 hours / month
$98.10 / month
$109.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $65.40 with a 6-month plan
Faster progress, more practice.
/hour
/hour
4 hours / month
$116.10 / month
$129.00 / month
with a 6-month membership
with a 3-month membership
↓ You save $77.40 with a 6-month plan
All prices incl. VAT · Pause anytime
Do you have any experience?
Many music students worldwide already trust SIRIUS.
“Maya is very friendly and competent. The singing lessons are great! ”
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Lily
Singing student
“I've been studying singing with Jessica for 8 months now and I'm still having fun:)”
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Maria
Singing student
“Self-learning videos for learning to sing were not my thing. But since I discovered singing lessons with Lena about Sirius, I've been fully motivated.”
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Georgina
Singing student
“I'm taking singing lessons for the first time and I just love Sirius. I've received a lot of valuable tips from Habib. I really recommend it to you guys.”
Lucas
Singing student
“Lena not only knows about singing lessons, but also makes the lesson a real experience. It is always my highlight of the week.”
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Carl
Singing student
Around the Southern Tier most private teachers set an hour somewhere between $50 and $90. Worth weighing against that: SIRIUS does not bill the opening session at all, so the thing you are comparing after an hour is coaching rather than pricing.
Almost everyone, and the town quietly proves it. Tri-Cities Opera has been taking young singers into a training program since 1971 and putting them on a professional stage afterwards - which only works because voices respond to instruction. What people call talent is usually a head start plus somebody who corrected them early.
About seven works for most children, as long as the lesson ends while they still want more of it. Adolescence is when the instrument changes shape and most wants supervision. Adults arrive here at every age, quite often having sung nowhere since a school concert in the eighties.
Two months of steady work shows up plainly on a recording. Sounding the same in a room full of people is a year away. Beyond that it stops being about capability and starts being about taste, which is the part singers stay for.
They do. A lesson consists of somebody hearing you precisely and then showing you the fix, and a good connection delivers both. The winter argument writes itself in this valley: the lesson at your own table happens in February, and the one that needed a drive across the river does not.
Do you have any experience?
Binghamton sits in a bowl where the Chenango runs into the Susquehanna, at the bottom of New York's Southern Tier and close to the Pennsylvania line. It was the Parlor City once, for its houses, and it made shoes on an enormous scale: Endicott Johnson turned out something like fifty-two million pairs a year at its peak, under a welfare-capitalist arrangement its owner called the Square Deal. IBM began in Endicott, next door. The shoes and most of the computers are gone; the city of about forty-six thousand now runs on the university, on hospitals and on defense manufacturing, and the metro around it holds roughly a quarter of a million people.
Because of something genuinely unusual for a place this size. Tri-Cities Opera was founded here in 1949 by Peyton Hibbitt and Carmen Savoca, and it is still going - three or four staged operas a season, most of them in its own house on Clinton Street. Since 1971 it has run a Resident Artist Training Program that has put nearly three hundred young singers through it, and since 1979 it has been partnered with Binghamton University's master's degree in opera. A working professional opera company and a graduate opera program, feeding each other, in a metro of this size, is not normal. The Binghamton Philharmonic, founded in 1955, marked seventy years with Beethoven's Ninth at the Forum in March 2026, three choruses stacked behind it. The Madrigal Choir has been singing at Trinity Memorial for more than four decades.
All of that is somewhere to arrive, not somewhere to learn. An audition panel returns a yes or a no; it will not mention that the air gives out a bar sooner than you expect, or that your jaw grips on the way up. Working that out takes a teacher listening to one person, and a plan assembled afterwards from what was heard.
Support before all else, because it governs the rest of the stack. Then pitch that does not slide when people are watching, an even weight of tone across the range you actually use, and enough left at the end of a set to finish it properly. Interpretation and diction come last in the order and first in what an audience notices.
Your teacher is picked out by a person, on the strength of the music you want and the distance you want to cover, not on who had a slot free. That first session is free, and it is free because it is the only honest way to sell coaching. Times are yours to fix and yours to shift when the week turns awkward. It works the same way whether this is your first lesson or your thousandth.
A voice lesson is an audio problem before it is a video one, so that is the order we built it in. An onset that lands under the note, a vowel losing its shape at volume - your teacher catches those as they happen rather than describing them once the phrase has gone. Notes, exercises and the recording of the hour stay reachable all week.
The Forum on Washington Street opened in 1919 as the Binghamton Theatre, became the Forum in 1975, seats about fifteen hundred and still has its Robert Morton organ; the Philharmonic, the opera and the Broadway series all use it. Broome Bands Together puts free music in Otsiningo Park on Tuesday evenings through the summer, and Spiedie Fest fills the same park in August. Then there are the carousels - six of them across the county, given by George F. Johnson between 1919 and 1934, free to ride by his instruction, and the two inside the city still turn to their original Wurlitzer band organs. The Ross Park one is closed for restoration at the moment. And the city has produced singers: Dena DeRose was born here, sings jazz, and has been professor of voice in Graz since 2006.
Our students are on the West Side and the North Side, out in Vestal and Endicott and Johnson City - children, teenagers, choral singers, and adults who last performed for anybody at seventeen.
Hospital rotations, a university calendar and four months of Southern Tier winter all argue against a standing appointment somewhere across town. A lesson that comes to the house has nothing to cancel.
Book the free hour. You will come out of it with a single concrete instruction, which is the thing a year of guessing never produces.
A city that has trained young opera singers since 1971 has room for one more voice. Start yours at the kitchen table, down in the valley.
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